Reviews

We are all, in this pandemic, a living elegy; there are loves, possibilities, selves, ways of life that are dead, a mobile mortality poets have always known and used their art to reckon with, fool around with, and renovate: enter …

Grace Elizabeth Hale, a historian at the University of Virginia, is the author of Making Whiteness: The Culture of Segregation in the South, 1890–1940 (1995) and A Nation of Outsiders: How the White Middle Class Fell in Love with Rebellion …

How does one either narrate or deconstruct the story, and the crafting, of the “self” when the premises of narrative and of the existence of (human) being eclipse Black people by a paradigm underwritten by gratuitous violence? Put differently, how …

By now the divide is clear: it looks like the same divide that bedevils prose fiction, or did until recently. Comics and graphic novels get framed as serious literature, if they’re accomplished enough, but only if they seem to portray …

Who should tell the stories of people suffering under repressive political regimes such as the United States today? This may be one of the most fiercely debated questions of twenty-first-century literature. Defacing the Monument, Susan Briante’s newest book, which …

In her ground-breaking, best-selling book Writing a Woman’s Life (1988), feminist Carolyn G. Heilbrun describes four ways to write a woman’s life: autobiography, fiction, biography, and an unnamed way in which “the woman may write her own life in …

Throughout his life’s work, John Koethe has elegized a romantic sense of meaning, that is, an illusory if highly desirous union with the larger universe. As we see throughout Walking Backwards, a collection spanning fifty years, his poems often …

The title of poet Marcelo Hernandez Castillo’s memoir about intergenerational migration derives from mythical insects that are said to inhabit the mountains of Mexico, tiny creatures with incandescent bodies and the faces of children. In Castillo’s telling, los Niños de …