Holly Beth Pratt

Holly Beth Pratt received her MFA from the University of Florida in 2017. She has interned at Tin House Books and Subtropics, and she is the new associate director at Willow Springs Books. Previous publications can be found in the New England Review and Lunch Ticket. Originally from South Africa, she now lives in Washington State.

Features

Nighttime Ride

The dad had a sweet tooth; it was something fierce. When it got ahold of him, no matter where he was—clearing invasives on the job, taking the kids for a weekend, eating his one-pan dinner—he had to satisfy it, like if he didn’t it would consume him inside out. This happened one time when the […]

IN Summer 2019

Past Issues

Spring 2020

Winter 2019

The Woman, The Place, The Poet

Influenza 1918

Across the Rock

Writing the Immigrant Southern in the New New South

The Citizenship Question, or, The Actors of Dearborn

Jerry’s Dirt (essay)

The Longing of Men (fiction)

The Gay Horizon

“Be Unpredictable, Be Real, Be Interesting, Tell a Good Story!” (with an interview...

A Lower Deep

“What I Find Funny Is Too Dark to Say Out Loud” (with an interview by C. J. Bartunek)

“A Starting Point” (with an introduction by Katie Geha)

“As Complicated and Elusive as Reality”: María Berrio’s Many-Layered Collages (wit...

Conjuring the Past: Cy Gavin’s Bermuda Paintings

on Census by Jesse Ball

on Loves You by Sarah Gambito

on Make It Scream, Make It Burn: Essays by Leslie Jamison

on In the Lateness of the World by Carolyn Forché

Etymology, Ecology, and Ecopoetics

“What Else Might Be Available”: Three Contemporary Lineages of the Poetry Pro...

Post-Metamorphic: The Poetry of Modern Motherhood

on Monsters I Have Been by Kenji C. Liu