Conversations

Fiction That Performs As Only Fiction Can: An Interview with Ann Pancake

John Brown Spiers: To what extent do you think a novel needs to be dependent upon plot? You’ve spoken of what you perceived to be your own deficiencies with plot while writing Strange As This Weather Has Been, but that novel seems to be driven as much by event—driven successfully—as it is by character and language. . . .

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The Forest Was Loaded with Untold Stories: An Interview with Julie Riddle

John Brown Spiers: An early paragraph in “Shadow Animals” describes your reaction to your father laying sand on a wild-game trail on your new property in northwest Montana. He does this to capture hoofprints and determine what sort of wildlife lives in the woods, but as he furrows the sand with a rake, . . .

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Identifying with Valentine: An Interview with Anya Silver

 

Gale Marie Thompson (GMT): “Valentine Godé-Darel (1873–1915): Five Paintings by Ferdinand Hodler,” takes a different approach to chronology. Can you explain the creation of this poem, and its relationship to time?

Anya Silver (AS): I first saw Swiss painter Hodler’s depictions of his model and lover Valentine Godé-Darel when I was doing research on art and literature and medicine. . . .

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Agnostic Ecstasy: A Conversation with Coleman Barks

On the last evening in January 2013, I had the good fortune to stop by Coleman Barks’s home in Athens to interview him about his long poem “The VOICE inside WATER,” which appeared in the Winter 2012 issue of The Georgia Review and subsequently in his recently released collection, . . .

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The Art of Benny Andrews: A 1975 Interview with Phil and Linda R. Williams

The excerpts below are taken from an interview that first appeared in the literary magazine Ataraxia 4, edited by Phil Williams and Linda R. Williams, and based in Madison, Georgia, near where Benny was born and reared. When the interview was taped in June 1975, Benny Andrews had established himself as an artist of the first rank, . . .

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Danse Macabre: Talking with Connie Imboden

For most of her career Connie Imboden, our Summer 2010 featured artist, has aimed her camera at a single subject—the nude body in water—capturing the human figure in transmutations beautiful and grotesque. Poet Susan Ludvigson, long intrigued and inspired by Imboden’s images, wrote the introductory essay to our eight-page interior portfolio; . . .

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