The Great Silence

Marianne Boruch’s ten poetry collections include the recent title The Anti-Grief (Copper Canyon Press, 2019). She was a Fulbright Senior Scholar in Australia last year at the University of Canberra’s International Poetry Studies Institute, observing the astonishing wildlife to write a book-length sequence, a neo-ancient/medieval bestiary, which is forthcoming from Copper Canyon. The poems in this issue are a part of that collection.

Psyche’s Stolen Pleasure: Women Who Like to Look, Objectification, and Animism of the Inanimate

Genese Grill holds a BFA from Cooper Union in painting, and an MA and PhD from the Graduate Center of the City University of New York in Germanic literatures and languages. She is the author of The World as Metaphor in Robert Musil’s “The Man without Qualities”: Possibility as Reality (Camden House, 2012) and the translator of a collection of Musil’s short prose, Thought Flights (2015); his short-story collection Unions (2019); and Theater Symptoms: Robert Musil’s Plays and Writings on Theater (forthcoming)—with these three all from Contra Mundum. Her literary essays, translator introductions, and scholarly writing have appeared in The Georgia Review, Numero Cinq (where she is on the masthead as special correspondent), Hyperion: On the Future of Aesthetics, the Missouri Review, and elsewhere. Her completed, as-yet-unpublished collection of essays celebrates the relationship between matter and spirit.

Understory and Overstory: A Retrospective

Janisse Ray is the author of five books of literary nonfiction as well as a volume of eco-poetry. Her first book, the best-selling Ecology of a Cracker Childhood (Milkweed Editions, 1999), is a memoir about growing up on a junkyard in the ruined longleaf pine ecosystem of the Southeast. It was a New York Times Notable Book and was chosen by the Georgia Center for the Book as a “Book All Georgians Should Read.” Ray holds an MFA from the University of Montana, where later she was the William Kittredge Distinguished Visiting Writer for 2014. She is a 2015 inductee into the Georgia Writers Hall of Fame, and she won the 2017 Southern Environmental Law Center Award in journalism for her piece on coal ash, published in The Bitter Southerner: “From Ashes Such as These, What Can Rise?” In 2019 Ray was given the Georgia Author of the Year Lifetime Achievement Award from the Georgia Writers Association. 

A Public Loss Anyway

Andrew Menard is the author of Learning from Thoreau (University of Georgia Press, 2018) and Sight Unseen: How Frémont’s First Expedition Changed the American Landscape (Bison Books, 2012). His most recent essays and articles have appeared in Antioch ReviewThe Georgia ReviewHinterlandJournal of American StudiesOxford Art Journal, and the New England Quarterly. 

Reclamations (fiction)

Jerry McGahan (1943–2016), beekeeper and much else, was the author of the story collection The Deer Walking Upside Down (Schaffner Press, 2015) and the novel A Condor Brings the Sun (1996). His stories and essays were published by the Iowa Review, the Antioch Review, the Gettysburg Review, Ploughshares, and other literary journals. McGahan passed away with his wife, Janet, by his side in Arlee, Montana, on the land he had loved for almost fifty years.

To Our Readers: A Postscript

In this Fall 2019 issue of The Georgia Review, the last with which I will be involved, Anne Wright’s essay “On the Farm”—about her late husband, James Wright (1928–1980), and his important involvement with fellow poet Robert Bly—opens with …

Stephen Corey joined the staff of The Georgia Review in 1983 as assistant editor and subsequently has served as associate editor, acting editor, and, since 2008, editor. His most recent book is Startled at the Big Sound: Essays Personal, Literary, and Cultural (Mercer University Press, 2017); he has also published nine collections of poems, among them There Is No Finished World (White Pine Press) and Synchronized Swimming (Livingston Press); his individual poems, essays, and reviews have appeared in dozens of periodicals; and he has coedited three books in as many genres, including (with Warren Slesinger) Spreading the Word: Editors on Poetry (The Bench Press). Over the past thirty-five years he has served as poet-in-residence or visiting poet/editor for numerous writing programs, conferences, and other literary gatherings, and he is currently a member of the core faculty for the low-residency MFA program at Reinhardt University. Born in Buffalo and reared in Jamestown, New York, Stephen Corey holds BA and MA degrees from Harpur College (now Binghamton University) and a PhD from the University of Florida.

on Look at the Lake by Kevin Brophy

Marianne Boruch’s ten poetry collections include the recent title The Anti-Grief (Copper Canyon Press, 2019). She was a Fulbright Senior Scholar in Australia last year at the University of Canberra’s International Poetry Studies Institute, observing the astonishing wildlife to write a book-length sequence, a neo-ancient/medieval bestiary, which is forthcoming from Copper Canyon. The poems in this issue are a part of that collection.

on Tokyo by Michael Mejia

Tim Horvath is the author of Understories (Bellevue Literary Press, 2012), which won the New Hampshire Literary Award, and Circulation (sunnyoutside press, 2009), and his fiction appears in ConjunctionsAGNIHarvard Review, and elsewhere. He teaches creative writing at the New Hampshire Institute of Art in Manchester, New Hampshire, and in the Cambridge Writers’ Workshop’s program in Granada, Spain. He is currently working on a novel about contemporary composers and musicians.

Vexed Heritage: Two Southern Poets (on R. T. Smith’s Summoning Shades and Natasha Trethewey’s Monument: Poems New and Selected )

Floyd Collins earned his MFA and PhD at the University of Arkansas. A book of critical essays on poetry, The Living Artifact, is forthcoming from Stephen F. Austin University Press in spring 2021. The Teresa Poems will appear from Somondoco Press in fall 2021. His poetry and critical prose appear regularly with The Arkansas Review, The Georgia Review, The Gettysburg Review, and The Kenyon Review.