The End of Boredom

Women at Forty & Family History

Time and Fear and Somehow Love

Lee K. Abbott is the author of seven collections of short fiction, most recently All Things, All at Once: New & Selected Stories (W. W. Norton, 2006). His work has appeared ten times previously in The Georgia Review and in nearly one hundred other periodicals, including the Atlantic, Harper’s, Epoch, Southern Review, and Boulevard. His work has also been featured in Best American Short Stories, O. Henry Awards: Prize Stories, Best of the West, and the Pushcart Prize. Twice a winner of National Endowment for the Arts fellowships, Abbott is Arts and Humanities Distinguished Professor in English at Ohio State University, where he directs the MFA program in creative writing. “The Final Proof of Fate and Circumstance,” the first of Abbott’s eight stories to appear in GR (Fall 1983), was included in our fortieth-anniversary retrospective (Spring 1986).

on James Dickey: The Poet As Pitchman by Neal Bowers

Stephen Corey joined the staff of The Georgia Review in 1983 as assistant editor and subsequently has served as associate editor, acting editor, and, since 2008, editor. His most recent book is Startled at the Big Sound: Essays Personal, Literary, and Cultural (Mercer University Press, 2017); he has also published nine collections of poems, among them There Is No Finished World (White Pine Press) and Synchronized Swimming (Livingston Press); his individual poems, essays, and reviews have appeared in dozens of periodicals; and he has coedited three books in as many genres, including (with Warren Slesinger) Spreading the Word: Editors on Poetry (The Bench Press). Over the past thirty-five years he has served as poet-in-residence or visiting poet/editor for numerous writing programs, conferences, and other literary gatherings, and he is currently a member of the core faculty for the low-residency MFA program at Reinhardt University. Born in Buffalo and reared in Jamestown, New York, Stephen Corey holds BA and MA degrees from Harpur College (now Binghamton University) and a PhD from the University of Florida.

on Women and Death: Linkages in Western Thought and Literature by Beth Ann Bassein

on Unless Soul Clap Its Hands: Portraits and Passages by Erika Duncan

Stephen Corey joined the staff of The Georgia Review in 1983 as assistant editor and subsequently has served as associate editor, acting editor, and, since 2008, editor. His most recent book is Startled at the Big Sound: Essays Personal, Literary, and Cultural (Mercer University Press, 2017); he has also published nine collections of poems, among them There Is No Finished World (White Pine Press) and Synchronized Swimming (Livingston Press); his individual poems, essays, and reviews have appeared in dozens of periodicals; and he has coedited three books in as many genres, including (with Warren Slesinger) Spreading the Word: Editors on Poetry (The Bench Press). Over the past thirty-five years he has served as poet-in-residence or visiting poet/editor for numerous writing programs, conferences, and other literary gatherings, and he is currently a member of the core faculty for the low-residency MFA program at Reinhardt University. Born in Buffalo and reared in Jamestown, New York, Stephen Corey holds BA and MA degrees from Harpur College (now Binghamton University) and a PhD from the University of Florida.

on Faces in a Single Tree; A Cycle of Monologues by Robert Pack

on Shakespearean Politics: Government and Misgovernment in the Great Histories by C. G. Thayer

on All the Olympians: A Biographical Portrait of the Irish Literary Renaissance by Ulick O’Connor