Time and Fear and Somehow Love

Lee K. Abbott is the author of seven collections of short fiction, most recently All Things, All at Once: New & Selected Stories (W. W. Norton, 2006). His work has appeared ten times previously in The Georgia Review and in nearly one hundred other periodicals, including the Atlantic, Harper’s, Epoch, Southern Review, and Boulevard. His work has also been featured in Best American Short Stories, O. Henry Awards: Prize Stories, Best of the West, and the Pushcart Prize. Twice a winner of National Endowment for the Arts fellowships, Abbott is Arts and Humanities Distinguished Professor in English at Ohio State University, where he directs the MFA program in creative writing. “The Final Proof of Fate and Circumstance,” the first of Abbott’s eight stories to appear in GR (Fall 1983), was included in our fortieth-anniversary retrospective (Spring 1986).

on James Dickey: The Poet As Pitchman by Neal Bowers

Stephen Corey joined the staff of The Georgia Review in 1983 as assistant editor and subsequently served as associate editor, acting editor, and, from 2008 to his retirement in 2019, editor. His most recent book is Startled at the Big Sound: Essays Personal, Literary, and Cultural (Mercer University Press, 2017); he has also published nine collections of poems, among them There Is No Finished World (White Pine Press) and Synchronized Swimming (Livingston Press); his individual poems, essays, and reviews have appeared in dozens of periodicals; and he has coedited three books in as many genres, including (with Warren Slesinger) Spreading the Word: Editors on Poetry (The Bench Press). In the spring of 2022, White Pine Press will bring out his As My Age Then Was, So I Understood Them: New and Selected Poems.

on Women and Death: Linkages in Western Thought and Literature by Beth Ann Bassein

on Unless Soul Clap Its Hands: Portraits and Passages by Erika Duncan

Stephen Corey joined the staff of The Georgia Review in 1983 as assistant editor and subsequently served as associate editor, acting editor, and, from 2008 to his retirement in 2019, editor. His most recent book is Startled at the Big Sound: Essays Personal, Literary, and Cultural (Mercer University Press, 2017); he has also published nine collections of poems, among them There Is No Finished World (White Pine Press) and Synchronized Swimming (Livingston Press); his individual poems, essays, and reviews have appeared in dozens of periodicals; and he has coedited three books in as many genres, including (with Warren Slesinger) Spreading the Word: Editors on Poetry (The Bench Press). In the spring of 2022, White Pine Press will bring out his As My Age Then Was, So I Understood Them: New and Selected Poems.

on Faces in a Single Tree; A Cycle of Monologues by Robert Pack

on Shakespearean Politics: Government and Misgovernment in the Great Histories by C. G. Thayer

on All the Olympians: A Biographical Portrait of the Irish Literary Renaissance by Ulick O’Connor

on The Seven Mountains of Thomas Merton by Michael Mott

on The Essays, Articles and Reviews of Evelyn Waugh by Donat Gallagher

Gerald Weales’s “American Theater Watch” appeared in these pages from 1978 until 2010, and we have also featured on occasion his essays and reviews on topics that have included World War II and the early-career political cartoons of one Theodore Geisel (a.k.a. Dr. Seuss). In addition to his distinguished career as an author and drama specialist, Weales was a longtime professor of English at the University of Pennsylvania, from which he retired in 1987; a senior Fulbright scholar at the University of Sri Lanka; and the recipient of a Guggenheim fellowship.