Category: Uncategorized

How Much Distance

By Moira Linehan
From the Summer 2018 Issue
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Moira Linehan is the author of two collections of poetry from Southern Illinois University Press: If No Moon (2007) and Incarnate Grace (2015). New work of hers has appeared recently, or is forthcoming, in Agni, Crab Creek Review, Crab Orchard Review, Tampa Review, and others. She lives in the greater Boston area.

Les Maux de la joie

By A. Joachim Glage
From the Summer 2018 Issue
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A. Joachim Glage lives and writes in Colorado, where he enjoys no longer being an attorney. “Les Maux de la joie” is part of a series of fictions Glage is writing on the topic of human happiness (and its unsuspected evils). Other works by Glage can be found in recent or upcoming issues of DIAGRAM, Litmag (online),  Santa Monica Review, Philosophy and Literature, and more.

Out of the Darkness

By Kent Nelson
From the Summer 2018 Issue
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Kent Nelson has identified 767 species of North American birds and has traveled to the most remote areas of the U.S. and Canada, including Attu (the last Aleutian Island), the Dry Tortugas, and Newfoundland. His story collection, The Spirit Bird (University of Pittsburgh Press), won the 2014 Drue Heinz Literature Prize. “Out of the Darkness” is one of seven linked works in a collection-in-progress, “Charleston Stories,” three of which have appeared in The Georgia Review. He lives in Ouray, Colorado.

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By James Warner
From the Summer 2018 Issue
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James Warner’s stories have appeared most recently in EPOCH, Ninth Letter, and Your Impossible Voice. He is one of the moderators of the San Francisco Writers Workshop, and he is paying attention.

West of Flat Rock

By Lee Martin
From the Summer 2018 Issue
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Lee Martin, who teaches in the MFA program at Ohio State University, is the author of five novels, including the Pulitzer Prize finalist The Bright Forever (Shaye Areheart Books, 2005). His most recent book is a story collection, The Mutual UFO Network (Dzanc Books, 2018).

Why If and Why When?—An Interview with Marvin Bell and Christopher Merrill Concerning Their Correspondence-in-Paragraphs

By Stephen Corey
From the Summer 2018 Issue
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Stephen Corey joined the staff of The Georgia Review in 1983 as assistant editor and subsequently served as associate editor, acting editor, and, from 2008 to his retirement in 2019, editor. His most recent book is Startled at the Big Sound: Essays Personal, Literary, and Cultural (Mercer University Press, 2017); he has also published nine collections of poems, among them There Is No Finished World (White Pine Press) and Synchronized Swimming (Livingston Press); his individual poems, essays, and reviews have appeared in dozens of periodicals; and he has coedited three books in as many genres, including (with Warren Slesinger) Spreading the Word: Editors on Poetry (The Bench Press). In the spring of 2022, White Pine Press will bring out his As My Age Then Was, So I Understood Them: New and Selected Poems.

Hints of Insurrection: a Conversation with Stephen Dunn

By Helena Feder
From the Summer 2018 Issue

INTRODUCTION

Stephen Dunn is the author of seventeen collections of poetry, two volumes of essays, and three chapbooks; his poems have appeared in Poetry, the Atlantic, the Nation, the New Yorker, American Poetry Review, the New Republic…

Helena Feder is Associate Professor of Literature and Environment and Director of Great Books at East Carolina University. She is the author of a number of scholarly articles and one book, Ecocriticism and the Idea of Culture: Biology and the Bildungsroman (Routledge, 2014). She has published poems in North American Review and ISLE, and interviews in North American Review, Green Letters, Radical Philosophy, ISLE, and Capitalism, Nature, Socialism.

On Not Reviewing Joan Didion’s South and West: From a Notebook

By Sebastian Matthews
From the Summer 2018 Issue
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Sebastian Matthews is the author of a memoir, In My Father’s Footsteps (W. W. Norton, 2004), and two books of poetry, We Generous (2007) and Miracle Day: Mid-Life Songs (2012), both from Red Hen Press. His new hybrid collection of poetry and prose from Red Hen, Beginner’s Guide to a Head-on Collision (2017), won the Independent Publishers Book Award’s silver medal.

“feeling it trying to feel it through”: Politicized Solitudes in Adrienne Rich’s Later Work

By Ed Pavlić
From the Summer 2018 Issue
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Ed Pavlić has published eleven books. His forthcoming and most recent works are Let It Be Broke (Four Way Books, 2020), Another Kind of Madness: A Novel (Milkweed Editions, 2019), Live at the Bitter End (Saturnalia, 2018), and Who Can Afford to Improvise?: James Baldwin and Black Music, the Lyric and the Listener (Fordham University Press, 2016). He is Distinguished Research Professor in the English department, and in the Institute for African American Studies, at the University of Georgia.

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