Tragicomic Trigger Warning

Yona Harvey’s poetry collections include You Don’t Have to Go to Mars for Love (Four Way Books, 2020) and Hemming the Water (Four Way Books, 2013), winner of the Kate Tufts Discovery Award. She contributed to Marvel Comics’ World of Wakanda series and co-authored with Ta-Nehisi Coates Black Panther and the Crew. She has worked with teenagers writing about mental health issues in collaboration with Creative Nonfiction magazine. 

A Notable Social Event; A Blight on the Landscape; & Things That Fall from the Sky

Kevin Brockmeier is the author of nine books, including The Ghost Variations: One Hundred Stories (Pantheon, 2020), from which the three stories in this issue are taken. Some of his earlier contributions to The Georgia Review were reprinted in the Best American Short Stories and O. Henry Prize Stories anthologies. His work has been translated into eighteen languages. He teaches frequently at the Iowa Writers’ Workshop and lives in Little Rock, Arkansas, where he was raised.

Nest

Ileen Park was born in Los Angeles. She received her BA in English and creative writing from New York University and her BS in nursing from the University of British Columbia. She currently resides in Jackson Heights, New York, where she works as an ICU nurse. “Nest” is her first published story.

The First Time I Said It

Isaac Hughes Green is a writer in the MFA program in fiction at North Carolina State University and a graduate of New York University’s Tisch School of the Arts. His writing was longlisted for The Master’s Review 2019 Fall Fiction contest, received an honorable mention for the James Hurst Prize for Fiction, and was a finalist for the Jacobs/Jones African-American Literary Prize. He has screened a film in the Cannes Short Film Corner and won several screenwriting and cinematography awards.

The Turtle Head Epidemic

Sally Wen Mao is the author of the poetry collections Oculus (Graywolf Press, 2019), a finalist for the Los Angeles Times Book Prize; and Mad Honey Symposium (Alice James Books, 2014). The recipient of a Pushcart Prize, she was recently a Cullman Fellow at the New York Public Library, a Jenny McKean Moore Writer-in-Residence at George Washington University, and a Shearing Fellow at the Black Mountain Institute. Her poetry and prose have appeared in The Best American Poetry, Tin House, Poetry, Harper’s Bazaar, the Kenyon Review, Guernica, and A Public Space, among others. She is a Kundiman fellow in both fiction and poetry.

Invisible Woman: A Reflection on Being Seen in America

Melanie P. Moore is a writer living in Austin, Texas. A graduate of the University of Georgia with an MA from Georgia State University, she was previously the founder and executive director of Badgerdog Literary Publishing, where, with a talented team and key community support, she started Austin’s first writers-in-the-schools program (now a program of the Austin Public Library Friends Foundation) and re-launched American Short Fiction after acquiring the defunct journal from the University of Texas Press in 2003. “Invisible Woman” was taken from her current project, a memoir traversing sexuality, spirituality, and illness.

Listening to the Thrush: Notes toward the Greening of Poetry in a Time of Global Climate Change

Margaret Gibson is the current poet laureate of Connecticut and the author of twelve books of poems, all from Louisiana State University Press, most recently Not Hearing the Wood Thrush (2018) and The Glass Globe (forthcoming in 2021), as well as a memoir, The Prodigal Daughter (University of Missouri Press, 2008). The Vigil (1993) was a finalist for the National Book Award in Poetry; Broken Cup (2016) was a finalist for the Poets’ Prize, and its title poem won a Pushcart Prize that year. Gibson is professor emerita at the University of Connecticut.

Shelter in Place

Bishakh’s work has appeared in The New YorkerWe’re Still Here (The first all-trans comics anthology),  Beyond, vol. 2 (The Queer Post-Apocalyptic & Urban Fantasy Comics Anthology), The Strumpet, The Boston Review, Black Warrior Review, VICE, The Brooklyn Rail, Buzzfeed, Ink Brick, The Huffington Post, The Graphic Canon vol. 3 and Little Nemo: Dream Another Dream. She received the Xeric grant in 2003 for her comics collection Angel.  Her graphic novel Apsara Engine is out now from The Feminist Press. Her graphic memoir Spellbound will be published by Street Noise Books in August 2020.

 

Untitled

Kaytea Petro is a San Francisco–based artist, activist, and entrepreneur. She has run away with a circus, started a company to transform cities into fruit-based gift economies, and self-published a number of comic books. She curates at the Engine 43 gallery. Her sculptures and drawings have been shown in China and in galleries across the United States.