Kevin Brockmeier is the author of nine books, including The Ghost Variations: One Hundred Stories (Pantheon, 2020), from which the three stories in this issue are taken. Some of his earlier contributions to The Georgia Review were reprinted in the Best American Short Stories and O. Henry Prize Stories anthologies. His work has been translated into eighteen languages. He teaches frequently at the Iowa Writers’ Workshop and lives in Little Rock, Arkansas, where he was raised.
Albert Goldbarth is the author of more than twenty-five books of poetry, most recently Selfish (2015), Everyday People (2012), and The Kitchen Sink: New and Selected Poems, 1972–2007 (2007), all from Graywolf Press. He has twice won the National Book Critics Circle Award in Poetry.
Marianne Boruch’s ten poetry collections include the recent title The Anti-Grief (Copper Canyon Press, 2019). She was a Fulbright Senior Scholar in Australia last year at the University of Canberra’s International Poetry Studies Institute, observing the astonishing wildlife to write a book-length sequence, a neo-ancient/medieval bestiary, which is forthcoming from Copper Canyon. The poems in this issue are a part of that collection.
George Singleton has published over three hundred stories in literary journals and magazines such as The Georgia Review, the Atlantic Monthly, Harper’s Magazine, One Story, the Southern Review, and Zoetrope. His eighth collection, Staff Picks, will be available in March 2019 from Yellow Shoe Fiction. A Guggenheim Fellow and a member of the Fellowship of Southern Writers, Singleton teaches in the English department at Wofford College in Spartanburg, South Carolina.
J. Allyn Rosser’s fourth poetry collection, Mimi’s Trapeze, appeared in 2014 from Pittsburgh University Press. Rosser has received fellowships from the Lannan Foundation, the Guggenheim Foundation, the NEA, and the Ohio Arts Council. She teaches at Ohio University.