Margaret Gibson is the current poet laureate of Connecticut and the author of twelve books of poems, all from Louisiana State University Press, most recently Not Hearing the Wood Thrush (2018) and The Glass Globe (forthcoming in 2021), as well as a memoir, The Prodigal Daughter (University of Missouri Press, 2008). The Vigil (1993) was a finalist for the National Book Award in Poetry; Broken Cup (2016) was a finalist for the Poets’ Prize, and its title poem won a Pushcart Prize that year. Gibson is professor emerita at the University of Connecticut.
Alice Friman’s poetry collections include Blood Weather (LSU Press, 2019), The View from Saturn (LSU Press, 2014), Vinculum (LSU Press, 2011), The Book of the Rotten Daughter (BkMk Press, 2006), Zoo (1999), Inverted Fire (1997), and Reporting from Corinth (1984). A recipient of many honors, including two Pushcart Prizes and inclusion in Best American Poetry, she has been published in Poetry, Ploughshares, The Georgia Review, Gettysburg Review, Plume, Crazyhorse, and others. She lives in Milledgeville, Georgia, where she was Poet-in-Residence at Georgia College.
Anne Goldman’s fiction and nonfiction have appeared in Tin House, the Guardian, TheGeorgia Review, the Gettysburg Review, and the Southwest Review, among other venues. Her essays have been named as notable in Best American Essays, Best American Science and Nature Writing, and the Best American Travel Writing. Nominated for a National Magazine Award, she is the recipient of fellowships from the Ahmanson/Getty Foundation and grants from the National Endowment for the Humanities and the Woodrow Wilson Foundation. Goldman is Professor of English at Sonoma State University. She is at work upon a second nonfiction manuscript, “An Aria for Insects and Other Essays.”
Robert Cording has published eight collections of poems, most recently Only So Far (CavanKerry Press, 2015) and A Word in My Mouth: Selected Spiritual Poems (Wipf and Stock, 2013). He has received two National Endowment for the Arts fellowships in poetry and two poetry grants from the Connecticut Commission of the Arts. His poems have appeared in numerous publications such as the Nation, the Southern Review, Poetry, the Hudson Review, Kenyon Review, New England Review, Orion, and the New Yorker.
Plain Fact & Impossibilities: Wild Landscape with Children
Sydney Lea’s thirteenth collection of poems, Here,is forthcoming from Four Way Books next year. Also due in 2018, from Vermont’s Green Writers Press, are Lea’s collected newspaper columns from his years as Vermont poet laureate, News That Stay News: Lyric and Everyday Life,his, and a re-issue of his collaborative book of essays with former Delaware poet laureate Fleda Brown, Growing Old in Poetry: Two Poets, Two Lives.