Autumnal (poem) & Letters to T. S. Eliot & Harriet Monroe

Conrad Aiken (1889–1973), born in Savannah, was the first Georgia native to win a Pulitzer Prize—in 1930, for his Selected Poems. A major international literary figure, Aiken published over thirty books of poems, nine novels, several volumes of criticism, books for children, a play, and a notable autobiography, Ushant (1952), over the course of his five-decade career. His Earth Triumphant and Other Tales in Verse (1914) is widely considered a milestone of literary Modernism. (Inducted in 2003)

To John Brown; The Passing of the Ex-Slave; & Cosmopolite

Georgia Douglas Johnson (1877–1966) was the best known and most widely published African American woman poet of her time, as well as a playwright and journalist. In 1893 she graduated from the Normal School of Atlanta University and, after teaching school in Atlanta and nearby Marietta, she attended Oberlin Conservatory in Ohio. In 1916 Crisis featured Johnson’s first published poetry, and two book-length collections of her verse soon followed: The Heart of a Woman (1918) and Bronze (1922). Although her popularity peaked in the 1920s, over the next few decades Johnson also wrote songs, short stories, a biography of her late husband, and several other works which were salvaged from her house after her death, along with a “Catalogue of Writings” that documented the quantity and breadth of her unpublished work. (Inducted in 2010)

From Georgia: Invisible Empire State

W. E. B. Du Bois (1868–1963) was the first African American to be awarded a Harvard PhD. He spent nearly a quarter century on the faculty of Atlanta University as professor of history and sociology (1897–1910) and head of the sociology department (1934–1944). Du Bois’ writings and his intellectual guidance as teacher, researcher, and editor at Atlanta University contributed immensely to its reputation as a preeminent resource for the study of race in America. In 1903 he published his now-classic collection of essays, The Souls of Black Folk, named as one of the Modern Library’s one hundred most influential works of the twentieth century. Du Bois spent twenty-three years as editor of Crisis, a publication of the NAACP—an organization he helped found. During his second span at Atlanta University he became the first editor-in-chief of Phylon, the University’s scholarly review of race and culture, to which he was also an ardent and frequent contributor. (Inducted as a charter member in 2000)

An Editor Must Have a Purpose (editorial)

Joel Chandler Harris (1848–1908), born near Eatonton, held editorial positions at newspapers in Forsyth and Savannah, and ultimately with the Atlanta Constitution from 1876 to 1900. Over the course of his long career he produced six novels, a biography, a history of Georgia, a translation of French folktales, six volumes of children’s stories, and seven volumes of short stories for adults. Except for a few months in New Orleans, Harris’ entire life was spent in his native state, from which flowed his novels of plantation life and Reconstruction, as well as his history of the state and a biography of Constitution editor and Georgia Writers Hall of Fame honoree Henry W. Grady. In 1905 Harris was named a charter member of the American Academy of Arts and Letters along with Mark Twain, Henry James, and Henry Adams. He died in 1908 in Atlanta. (Inducted as a charter member in 2000)

From The Marshes of Glynn (poem) & Letters to Mr. and Mrs. Gibson Peacock & Mr. Paul Hamilton Hayne

Sidney Lanier (1842–1881) was the first native Georgian poet to achieve national prominence. A Maconite like John Oliver Killens, Lanier graduated from Oglethorpe University, which was then located near Milledgeville, in 1860. He volunteered for service at the onset of the Civil War, serving in the Confederate signal corps and as a pilot aboard English blockade runners. In 1864 he was captured and held as a prisoner of war for four months in Maryland, during which time he contracted tuberculosis, the disease that would cause his death in 1881. Though known primarily as a poet, Lanier’s first major publication was Tiger-Lilies (1867), his only novel. Lippincott published his Poems in 1877; two other collections, edited by his wife Mary Day Lanier, came out posthumously from Scribner’s in 1884 and 1891. Sidney Lanier’s best-remembered poems are set among the landscapes of Georgia and evoke the rhythms of the natural world. These include “Corn,” “The Song of the Chattahoochee,” “Sunrise,” and the frequently anthologized “The Marshes of Glynn.” He also wrote three volumes of literary criticism and two other nonfiction books: Florida: Its Scenery, Climate and History (1875) and Retrospects and Prospects (1899). The latter includes the essay “Sketches of India,” which Lanier wrote despite the fact that he never set foot in that country. (Inducted as a charter member in 2000)

From An Address to the Whites. Delivered in the First Presbyterian Church [of Philadelphia] on the 26th of May, 1826.

Elias Boudinot (ca. 1804–1839) was born in the Cherokee Nation, near present-day Chatsworth, Georgia. His given name was Gallegina Watie, or the Buck. He began his formal education at a Moravian school in Spring Place, Georgia, then in 1817 was invited to attend the American Board of Commissioners for Foreign Missions School in Cornwall, Connecticut. On his journey there, Gallegina was introduced to Elias Boudinot, president of the American Bible Society, and adopted his name. By 1828 Boudinot had returned to Georgia, and in that year became the founding editor of the bilingual newspaper the Cherokee Phoenix, a position he held until 1832. He also published Cherokee translations of some two dozen religious texts, including Cherokee Hymns, Compiled from Several Authors and Revised, the first book printed using the Cherokee syllabary invented by Sequoyah. Boudinot supported the voluntary removal of the Cherokees to lands west of the Mississippi, a controversial position at odds with the majority of the tribe. After moving west in 1839, he was killed by fellow Cherokees opposed to his views on removal and other tribal matters. (Inducted in 2003)

From the Archives: Holding Value

Doug Carlson joined the Review staff in January 2007 and works primarily in manuscript evaluation and nonfiction editing. Carlson’s essays on natural and cultural history have appeared frequently in magazines and journals as well as in several anthologies, including A Place Apart (W. W. Norton) and The Sacred Place (University of Utah Press). His work has been collected in two books: At the Edge (White Pine Press) and When We Say We’re Home (University of Utah Press). His most recent book, Roger Tory Peterson: A Biography, was published by the University of Texas Press in 2007. Before coming to the Review, Carlson was visiting writer-in-residence at Concordia College in Moorhead, Minnesota. He is a former chair of the UGA Press Faculty Editorial Board and has served in editorial or advisory capacities for Ascent magazine, White Pine Press, and New Rivers Press.

The Georgia Writers Hall of Fame

Exploring the Writers in the Georgia Writers Hall of Fame

Stephen Corey joined the staff of The Georgia Review in 1983 as assistant editor and subsequently served as associate editor, acting editor, and, from 2008 to his retirement in 2019, editor. His most recent book is Startled at the Big Sound: Essays Personal, Literary, and Cultural (Mercer University Press, 2017); he has also published nine collections of poems, among them There Is No Finished World (White Pine Press) and Synchronized Swimming (Livingston Press); his individual poems, essays, and reviews have appeared in dozens of periodicals; and he has coedited three books in as many genres, including (with Warren Slesinger) Spreading the Word: Editors on Poetry (The Bench Press). In the spring of 2022, White Pine Press will bring out his As My Age Then Was, So I Understood Them: New and Selected Poems.

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