No Sermons in Stone

Richard Bernstein’s “Wheeling and Dealing” and “Wheelman” mark his fourth appearance in The Georgia Review. A twelve-time recipient of the Bright Hill Press New York State Poetry Teacher of the Year Award, he is currently in his twenty-eighth year as a high school English, creative writing, and drama teacher in Norwich, New York. He also teaches courses in English and public speaking at Morrisville State College.

After de Tocqueville

David Roderick’s poetry collection, The Americans, was published by University of Pittsburgh Press in 2014. Recently awarded a 2021–22 Creative Writing Fellowship from the National Endowment for the Arts, he is the director of content at The Adroit Journal and co-directs Left Margin LIT, a creative writing center in Berkeley, California.

Griffonia

René Houtrides’ stories have appeared in The Georgia Review (Spring 2007), New Ohio Review, and Mississippi Review. Her play Calamity Jane was produced at New York City’s Wonderhorse Theater, nearly a dozen of her essays have aired on WAMC Northeast Public Radio, and her freelance work has appeared in the New York Times. Born and raised near Manhattan’s Little Italy and Chinatown, she has an MFA in writing from Bard College and is on the faculty of the Juilliard School’s drama division.

Luminaria

Christopher Ross lives in Middlebury, Vermont, where he recently completed a novel, “The Secret to Playing.” His fiction has appeared in the Southern Review and the Cortland Review.

Art and Anguish: Elizabeth Hardwick’s Letters to Robert Lowell

Jeffrey Meyers, a Fellow of the Royal Society of Literature, has recently published Thomas Mann’s Artist-Heroes (Northwestern University Press, 2014), Remembering Iris Murdoch (Palgrave Pivot, 2013), and the paperback edition of Scott Fitzgerald: A Biography (Harper Perennial, 2014). Thirty of his books have been translated into fourteen languages and seven alphabets, and published on six continents. In 2012 he gave the Seymour lectures on biography, sponsored by the National Library of Australia, in Canberra, Melbourne, and Sydney.

Poetry Now, and Some Thoughts on History, As If, Maybe, and No

Stephen Dunn is the author of numerous books of poetry and prose. His Degrees of Fidelity: Essays on Poetry and the Latitudes of the Personal,  is due out from Tiger Bark Press in October 2018, and a new collection of poems, Pagan Virtues, is scheduled to be published by W. W. Norton in 2019. He has been the recipient of many awards, including the 2001 Pulitzer Prize in Poetry for Different Hours, and he has had fellowships from the Guggenheim and Rockefeller foundations. Dunn lives in Frostburg, Maryland, with his wife, the writer Barbara Hurd.

on Agee at 100: Centennial Essays on the Works of James Agee edited by Michael A. Lofaro

Gary Kerley is a retired educator living in Bermuda Run, North Carolina. His reviews and articles have appeared in a number of publications and encyclopedias. An essay on the relationship between James Dickey and Pat Conroy and a review of Henry Taylor’s selected poems, This Tilted World Is Where I Live, will appear in the 2020 issue of The James Dickey Review. His articles on Alice Friman and William Walsh will appear next year on the online New Georgia Encyclopedia.

Canonicity and the New (on Lisa Lewis’ Burned House with Swimming Pool; David Wojahn’s World Tree; Susan Wood’s The Book of Ten; and Yusef Komunyakaa’s The Chameleon Couch)

Kevin Clark’s several books of poems include the forthcoming The Consecrations (Stephen F. Austin State University Press, 2021). His first collection, In the Evening of No Warning (New Issues Poetry and Prose, 2002), earned a grant from the Academy of American Poets, and his second, Self-Portrait with Expletives (2010), won the Pleiades Press prize. His poetry appears in the Southern Review, Ploughshares, Prairie Schooner, Iowa Review, Poetry Northwest, Gulf Coast, and Crazyhorse. A regular critic for The Georgia Review, he’s also published essays in the Southern Review, Papers on Language and Literature, and Contemporary Literary Criticism. He teaches at the Rainier Writing Workshop. 

The Song of the Unnameable Thing; Oh; An Explanation of the Mechanics of Her Marvelous Invention; My Personal Mythology; & 1,000 (Exactly)

Albert Goldbarth is the author of more than twenty-five books of poetry, most recently Selfish (2015), Everyday People (2012), and The Kitchen Sink: New and Selected Poems, 1972–2007 (2007), all from Graywolf Press. He has twice won the National Book Critics Circle Award in Poetry.