Chris Forhan is the author of three books of poetry: Black Leapt In (2009), winner of the Barrow Street Press Poetry Prize; The Actual Moon, The Actual Stars (2003), winner of the Morse Poetry Prize and a Washington State Book Award; and Forgive Us Our Happiness (1999), winner of the Bakeless Prize. A professor at Butler University, he is the recipient of an NEA fellowship and two Pushcart Prizes.
Miles Wilson is the founding director of the MFA program at Texas State University. He is the author of three prize-winning books: Fire Season (Stephen F. Austin State University Press, 2014), Harm (2003), and Line of Fall (1989). His previous story in The Georgia Review (“Everything,” Winter 1987) was one of three cited when The Georgia Review was named a finalist for the National Magazine Award in Fiction in 1988.
Charles McLeod is the author of the just-released story collection Settlers of Unassigned Lands (University of Michigan Press, 2015); a novel, American Weather (2012); and an earlier book of stories, National Treasures (2012). He has received a Pushcart Prize, won the Iowa Review Award in Fiction, and appeared in such publications as Conjunctions, the Southern Review, and Washington Square.
After the Fact: Scripts & Postscripts
Marvin Bell’s recent books include Vertigo: The Living Dead Man Poems (Copper Canyon Press, 2013 )and Whiteout (Lodima Press, 2011), a collaboration with photographer Nathan Lyons. The selections from “If & When” in this issue continue Bell’s poetic correspondence with Christopher Merrill, earlier exchanges from which were collected in After the Fact: Scripts & Postscripts (White Pine Press, 2016).
Christopher Merrill has six poetry collections; many works of translation and edited volumes, among them The Forgotten Language: Contemporary Poets and Nature (1991) and From the Faraway Nearby: Georgia O’Keeffe as Icon (1993, reissued 1998); and six books of nonfiction, most recently Self-Portrait with Dogwood (Trinity University Press, 2017). His work has been translated into nearly forty languages and his honors include a knighthood in arts and letters from the French government. As director of the University of Iowa’s International Writing Program, he has undertaken cultural diplomacy missions to more than fifty countries.
Writing While the World Burns
Scott Russell Sanders lives in the hill country of southern Indiana, where he has written more than twenty books of fiction and nonfiction, including A Conservationist Manifesto (Indiana University Press, 2009) and Hunting for Hope (Beacon Press, 1998). His most recent books (also from IU Press) are Stone Country: Then & Now (2017), a documentary narrative made in collaboration with photographer Jeffrey Wolin, and Dancing in Dreamtime (2016), a collection of eco-science-fiction stories. He is currently finishing his portion of Ordinary Wealth, fifty brief tales written in response to photographs by Peter Forbes.
on Unaccompanied Minors by Alden Jones
Fleming Smith is a recent graduate of Athens Academy in Athens, Georgia. During high school, she interned at the Athens Banner-Herald and The Georgia Review. This year, she won first place at the state literary competition for Girls’ Essay Class A Private. She has written three novels and is currently at work on a fourth. In the fall, she will begin her undergraduate work at Sewanee: The University of the South.
on Now We Will Be Happy by Amina Gautier
Siân Griffiths directs the creative writing program at Weber State University. Her work has appeared in Fifth Wednesday Journal, Ninth Letter, the Rumpus, Quarterly West, and many other publications. Her first novel, Borrowed Horses (New Rivers Press, 2013), was a semi-finalist for the 2014 VCU Cabell First Novelist Award.