Cultivating the Wild: William Bartram’s Travels, a collaboration among director Eric Breitenbach, director of photography Scott Auerbach, and writer Dorinda G. Dallmeyer, is a film that contains both despair and hope, telling environmental truths while remaining relentlessly beautiful. Illustrations and excerpts from the writing of Bartram, the eighteenth-century naturalist and artist who explored the American […]
Read MoreConversations
Tobias Wray and Soham Patel discuss, among other things, his poem in the Fall 2020 issue of The Georgia Review, “Each of Us Chimera”; the role of queerness in nature; the nature of truth; the influence of women on gay men’s lit; and his forthcoming collection, No Doubt I Will Return a Different Man, selected […]
Read More“Letting Ambiguity Have Its Way with Me”: An Interview with Mark Yakich

INTRODUCTION Spiritual Exercises (Penguin, 2019) is the latest collection of poetry from Mark Yakich, author of The Dangerous Book of Poetry for Planes (Eyewear Publishing, 2017), A Meaning for Wife (Ig Publishing, 2011), The Importance of Peeling Potatoes in Ukraine (Penguin, 2008), Green Zone New Orleans (Press Street, 2008), The Making of Collateral Beauty (Tupelo […]
Read MoreGeorgia Review editor Gerald Maa spoke with A. E. Stallings on 16 November 2019 at Hendershot’s, in Athens, Georgia. Three poems by Stallings appear in our Summer 2020 issue. * * * Gerald Maa (GM): I’m sitting here with Alicia Stallings; this is the weekend during which she’s inducted into the Georgia Writers Hall of […]
Read MoreGeorgia Review editor Gerald Maa spoke with artist Michi Meko in his Atlanta studio on 23 September 2019. A portfolio of Meko’s recent work appears in the Winter 2019 issue of The Georgia Review. Gerald Maa (GM): Let’s start by giving our readers a sense of where you came from, how you got here. […]
Read More“Shadows in the Story”: An Interview with Eavan Boland
From the Fall 2019 IssueINTRODUCTION For a number of years I have taught a course in Irish Literature and Culture at my home institution, Reinhardt University, and among the standard author readings I petition of my students are William Butler Yeats, Oscar Wilde, James Joyce, Samuel Beckett, Patrick Kavanagh, George Bernard Shaw, Seamus Heaney, Paul Muldoon, Edna O’Brien, Nuala […]
Read MoreCy Gavin’s paintings have been exhibited at the Whitney Museum of American Art and Sargent’s Daughters in New York, the Rubell Family Collection in Miami, the VNH Gallery in Paris, and many other venues. He lives and works in New York, where his latest solo show opened at Gavin Brown’s Enterprise on 3 March and […]
Read MoreRonaldo V. Wilson is the author of the cross-genre collections Lucy 72 (1913 Press, 2018) and Farther Traveler (Counterpath Press, 2015); Poems of the Black Object (Futurepoem Books, 2009), winner of the Asian American Literary Award in Poetry and the Thom Gunn Award for Gay Poetry; and Narrative of the Life of the Brown Boy and […]
Read MoreINTRODUCTION With a bibliography that ranges from playwriting and fiction to nonfiction works on science, politics, medieval history, and current events, James Reston Jr. could be called a modern Renaissance man. My first acquaintance with the author was through the movie Frost/Nixon (2008), which was based on The Conviction of Richard Nixon, Reston’s 2007 book […]
Read Moreher breath became my breath — Alicia Elkort and Jennifer Givhan in conversation
From the Winter 2017 IssueThe authors discuss their writing practice and the poems featured in our Winter 2017 issue: On collaboration: We met in an online class at UCLA. Our differing poems about girlhood wounds spoke deeply to one another. We kept in touch by email as we lived in different states. Over time we developed a bond, inspired […]
Read MoreSoham Patel: What have you been reading lately? How is it influencing your new writing? Jacques Rancourt: With poetry, I’d been so focused the last few years on poets who write carefully chiseled poems that lately I’ve been drawn to poets who embrace sprawl and wild syntactic leaps. I know that what I read fuels […]
Read MoreColette Arrand: Your first published poem, “Of Yalta,” won the 2015 Loraine Williams Poetry Prize. It’s also the poem that opens your debut collection Let’s All Die Happy. You’ve lived with this poem for some time now. Is there any special significance to its first-in-line placement? How important is “Of Yalta” to you now, […]
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