Chew on This

When we asked Christopher Merrill—a portion of whose prose collaboration with Marvin Bell appears in our Winter 2013 issue—to tell us what he had been reading as of late, he gladly agreed, and then surprised us over the holidays

Christopher Merrill has six poetry collections; many works of translation and edited volumes, among them The Forgotten Language: Contemporary Poets and Nature (1991) and From the Faraway Nearby: Georgia O’Keeffe as Icon (1993, reissued 1998); and six books of nonfiction, most recently Self-Portrait with Dogwood (Trinity University Press, 2017). His work has been translated into nearly forty languages and his honors include a knighthood in arts and letters from the French government. As director of the University of Iowa’s International Writing Program, he has undertaken cultural diplomacy missions to more than fifty countries.

Imagining My Way into the Truth: An Interview with Kevin Brockmeier

John Brown Spiers: Dead Last is a Kind of Second Place,” your piece in the Winter 2013 issue of The Georgia Review, is excerpted from your forthcoming memoir A Few Seconds of Radiant Filmstrip. After having read …