on America’s Quest for the Ideal Self: Dissent and Fulfillment in the 60s and 70s by Peter Clecak

Bringing Back the Bones

on Constant Defender by James Tate

After Moving to a Place Where I Do Not Know the Names of Plants and Birds

William Wenthe is the author of four books of poems, including his most recent collection, God’s Foolishness (LSU Press, 2016). He has received poetry fellowships from the National Endowment for the Arts and the Texas Commission on the Arts, and two Pushcart Prizes. “The Trial” is part of a larger project about the American expatriate painter James McNeill Whistler.

O Pioneers!

Daniel Hoffman, a former Consultant in Poetry to the Library of Congress (1973–74), will publish his thirteenth book of verse, Next to Last Words, in April 2013, on the occasion of his ninetieth birthday.

American Theater Watch, 1996–1997

Gerald Weales’s “American Theater Watch” appeared in these pages from 1978 until 2010, and we have also featured on occasion his essays and reviews on topics that have included World War II and the early-career political cartoons of one Theodore Geisel (a.k.a. Dr. Seuss). In addition to his distinguished career as an author and drama specialist, Weales was a longtime professor of English at the University of Pennsylvania, from which he retired in 1987; a senior Fulbright scholar at the University of Sri Lanka; and the recipient of a Guggenheim fellowship.

No Finale

Coleman Barks, professor emeritus at the University of Georgia, has since 1977 collaborated with various scholars of the Persian language (most notably, John Moyne) to bring over into American free verse the poetry of the thirteenth-century mystic Jelaluddin Rumi. This work has resulted in twenty-one volumes, including the bestselling Essential Rumi in 1995. He has also published eight volumes of his own poetry, including Hummingbird Sleep: Poems 2009–2011 (2012) and Winter Sky: Poems 1968–2008 (2008), both from the University of Georgia Press. 

Last Days

Baldwins