I’m Glorious in My Destruction Like an Atomic Bomb

Diane Seuss’s Wolf Lake, White Gown Blown Open won the 2009 Juniper Prize for Poetry and is forthcoming this spring from the University of Massachusetts Press. Recent work has appeared in Poetry, New Orleans Review, Brevity, and Blackbird. Seuss is currently writer in residence at Kalamazoo College.

The Novel

Magnitude

Piano, with Distance

Marianne Boruch’s ten poetry collections include the recent title The Anti-Grief (Copper Canyon Press, 2019). She was a Fulbright Senior Scholar in Australia last year at the University of Canberra’s International Poetry Studies Institute, observing the astonishing wildlife to write a book-length sequence, a neo-ancient/medieval bestiary, which is forthcoming from Copper Canyon. The poems in this issue are a part of that collection.

Leaving Room

Mary Hood, 2014 inductee to the Georgia Writers Hall of Fame, is the author of the novel Familiar Heat (1995) and the short-story collections And Venus Is Blue (1986) and How Far She Went (1984). A new collection of stories, A Clear View of the Southern Sky, is forthcoming from the University of South Carolina Press in 2015.

Caravaggio’s World

Julie Suk is the author of five volumes of poetry and is co-editor of Bear Crossings, an anthology of North American poets. Her most recent book, Lie Down With Me: New and Selected Poems, was published in 2011 by Autumn House Press, and her work is forthcoming in the Cimarron Review, Great River Review, and Southern Poetry Review.

Early in Any Century & Self-Pith

J. Allyn Rosser’s fourth poetry collection, Mimi’s Trapeze, appeared in 2014 from Pittsburgh University Press. Rosser has received fellowships from the Lannan Foundation, the Guggenheim Foundation, the NEA, and the Ohio Arts Council. She teaches at Ohio University.

Dimitra’s Path

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