“I Seem to Write You Everything”: Selected Letters to Stanley W. Lindberg, 1982–89 (Introduction by Douglas Carlson; Commentary by Stephen Corey)
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Month: August 2016
The Woman Who Almost Bolted: An Interview with Mary Hood
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William Walsh is the author of seven books. His new collection of poetry, Fly Fishing in Times Square, recently won the Editor’s Prize at Cervena Barva Press. It will be released in September. He is the director of the undergraduate and graduate writing programs at Reinhardt University in Waleska, Georgia. His work has appeared in Rattle, the Kenyon Review, the Valparaiso Poetry Review, Shenandoah, Literary Matters, Five Points, the AWP Chronicle, and elsewhere.
Some Stranger’s Bed
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Not Quite the End of Nature Writing
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Doug Carlson joined the Review staff in January 2007 and works primarily in manuscript evaluation and nonfiction editing. Carlson’s essays on natural and cultural history have appeared frequently in magazines and journals as well as in several anthologies, including A Place Apart (W. W. Norton) and The Sacred Place (University of Utah Press). His work has been collected in two books: At the Edge (White Pine Press) and When We Say We’re Home (University of Utah Press). His most recent book, Roger Tory Peterson: A Biography, was published by the University of Texas Press in 2007. Before coming to the Review, Carlson was visiting writer-in-residence at Concordia College in Moorhead, Minnesota. He is a former chair of the UGA Press Faculty Editorial Board and has served in editorial or advisory capacities for Ascent magazine, White Pine Press, and New Rivers Press.
on Eric Sasson’s Margins of Tolerance
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on Al Maginnes’ Inventing Constellations
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on Tim Kreider’s We Learn Nothing: Essays and Cartoons
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on Selected Correspondence of Kenneth Patchen
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“If you don’t make it better I’ll stick pins in you” (on Pauline Kael’s The Age of Movies: Selected Writings of Pauline Kael, edited by Sanford Schwartz; and Brian Kellow’s Pauline Kael: A Life in the Dark)
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