To Make It New (on Barbara Hamby’s On the Street of Divine Love: New and Selected Poems; Charlie Smith’s Jump Soul: New and Selected Poems; & B. H. Fairchild’s The Blue Buick: New and Selected Poems)

Kevin Clark’s several books of poems include the forthcoming The Consecrations (Stephen F. Austin State University Press, 2021). His first collection, In the Evening of No Warning (New Issues Poetry and Prose, 2002), earned a grant from the Academy of American Poets, and his second, Self-Portrait with Expletives (2010), won the Pleiades Press prize. His poetry appears in the Southern Review, Ploughshares, Prairie Schooner, Iowa Review, Poetry Northwest, Gulf Coast, and Crazyhorse. A regular critic for The Georgia Review, he’s also published essays in the Southern Review, Papers on Language and Literature, and Contemporary Literary Criticism. He teaches at the Rainier Writing Workshop. 

BAIT BALL

Charles Harper Webb’s latest book, Brain Camp, was published by the University of Pittsburgh Press in 2015. A Million MFAs Are Not Enough, a book of essays on contemporary American poetry, is forthcoming from Red Hen Press in 2016. Recipient of grants from the Whiting and Guggenheim foundations, Webb teaches creative writing at California State University, Long Beach.

Vase

Shawn Fawson’s first full-length poetry collection, Giving Way (The Bitter Oleander Press, 2010), won the Utah Book Award for poetry in 2011. She lives in Denver.

Of Mischief and the Moon

Alice Friman’s poetry collections include Blood Weather (LSU Press, 2019), The View from Saturn (LSU Press, 2014), Vinculum (LSU Press, 2011), The Book of the Rotten Daughter (BkMk Press, 2006), Zoo (1999), Inverted Fire (1997), and Reporting from Corinth (1984). A recipient of many honors, including two Pushcart Prizes and inclusion in Best American Poetry, she has been published in Poetry, Ploughshares, The Georgia Review, Gettysburg Review, Plume, Crazyhorse, and others. She lives in Milledgeville, Georgia, where she was Poet-in-Residence at Georgia College. 

Young Gloria Swanson as the Lion’s Bride

Margaret Benbow’s poetry has appeared in numerous magazines and anthologies, including Poetry, Kenyon Review, the Antioch Review, Prairie Schooner, and others. Her collection Stalking Joy (1997) won the Walt McDonald First Book award and was published by Texas Tech University Press. She recently completed a second collection, Wild Women in Old Movies, and she has also published short stories—including “Angela Perfidia” in both our Summer 1997 issue and our Spring 2011 fiction retrospective. In 2014 Benbow won the Zona Gale Award from the Council for Wisconsin Writers for the best published short story by a Wisconsin writer.

Failure of Imagination in the Gothic Quarter & Feeling Sorry for Myself after an Ex-Girlfriend Returned All of My Old Love Letters in 2015

Michael Derrick Hudson’s poems have appeared in Poetry, Boulevard, Columbia, Gulf Coast, New Welch Review, West Branch, and other journals. He was named co-winner of the 2014 Manchester Poetry Prize.

I Want a Big Corny Wink & The Perfect Pitch

Gary Gildner has contributed to The Georgia Review numerous poems and stories, four essays, a book review, and an exchange of letters with the late novelist Raymond Andrews. His latest collection of poems is Cleaning a Rainbow (BkMk Press, 2007); his latest collection of stories is The Capital of Kansas City (BkMk Press, 2016). He has received Pushcart Prizes in fiction and nonfiction, and the Iowa Poetry Prize for The Bunker in the Parsley Fields (University of Iowa Press). Gildner and his wife Michele live in the Clearwater Mountains of Idaho and in the foothills of Arizona’s Santa Catalina Mountains.

The Goat Fish and the Lover’s Knot

Jack Driscoll’s latest collection, The Goat Fish and the Lover’s Knot (Wayne State University Press, 2017), received the 2018 Michigan Library Foundation Award for fiction. His forthcoming “New & Selected” will include eleven stories previously published in The Georgia Review and dating back to 1987. He currently teaches in Pacific University’s low-residency MFA program in Oregon.

Golden Gloves

David Huddle taught at the University of Vermont for thirty-eight years, and he continues to teach at the Bread Loaf School of English. His most recent books are Dream Sender, a poetry collection (LSU Press, 2015), and My Immaculate Assassin, a novel (Tupelo Press, 2016). In 2019 his new novel Hazel will be published by Tupelo, and his new poetry collection, My Surly Heart, by LSU.

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