on The Bosom Serpent: Folklore and Popular Art by Harold Schechter

Stephen Corey joined the staff of The Georgia Review in 1983 as assistant editor and subsequently served as associate editor, acting editor, and, from 2008 to his retirement in 2019, editor. His most recent book is Startled at the Big Sound: Essays Personal, Literary, and Cultural (Mercer University Press, 2017); he has also published nine collections of poems, among them There Is No Finished World (White Pine Press) and Synchronized Swimming (Livingston Press); his individual poems, essays, and reviews have appeared in dozens of periodicals; and he has coedited three books in as many genres, including (with Warren Slesinger) Spreading the Word: Editors on Poetry (The Bench Press). In the spring of 2022, White Pine Press will bring out his As My Age Then Was, So I Understood Them: New and Selected Poems.

on Ezra Pound: The Solitary Volcano by John Tytell

on The Essays of Virginia Woolf. Vol. 1 by Andrew McNeillie

on Look Homeward: A Life of Thomas Wolfe by David Herbert Donald

on Tradition Counter Tradition: Love and the Form of Fiction by Joseph Allen Boone

on The Haw Lantern by Seamus Heaney

on The Servant’s Hand: English Fiction from Below by Bruce Robbins

Failure and the Harlem Renaissance (on Modernism and the Harlem Renaissance by Houston A. Baker, Jr. & Color, Sex and Poetry: Three Women Writers of the Harlem Renaissance by Gloria T. Hull)

The Work Being Done: Five New Books (on Evening Wind by Robert Mezey; Next by Lucille Clifton; Women Hoping for Rain by David Tillinghast; What We Say to Strangers by Barbara Drake; & Letter at the End of Winter by Don Stap)

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