Melissa Harshman makes prints from eclectic sources, such as old cookbooks, dictionaries, and other printed ephemera. Her images have been featured in solo shows throughout the Southeast and elsewhere, including at Sandler Hudson Gallery in Atlanta. Holding a BFA from Cornell University and an MFA from the University of Wisconsin, Harshman is associate professor of art and chair of the printmaking department at the University of Georgia.
Robert Stackhouse, who collaborated with Carol Mickett on The American Print in this issue, is best known for his large-scale architectural sculpture and paintings. His works are in the collections of the Museum of Modern Art in New York, the National Gallery of Australia, the Walker Art Center in Minneapolis, the Art Institute of Chicago, and many others. Professor emeritus at the Corcoran School of Art, Stackhouse has been the recipient of three NEA grants.
Carol Mickett’s career has encompassed not only collaborative work with Robert Stackhouse but also success as a freelance producer, director, and writer. She has won numerous grants, and her writing has appeared in Prairie Schooner, New Letters, and elsewhere. Mickett has a PhD in philosophy from the University of Minnesota.