The Linear Fallacy

Sadness and Still Life

Losses

The Husks

David Bottoms (b. 1949) had his Shooting Rats at the Bibb County Dump (1980) selected by Robert Penn Warren for the Academy of American Poets’ Walt Whitman Award for best first book by an American poet. Bottoms has gone on to publish six more poetry collections, most recently We Almost Disappear (Copper Canyon Press, 2011), and two novels, Any Cold Jordan (1987) and Easter Weekend (1990). His work has appeared widely in journals and magazines such as the Paris Review, the New Yorker, the Atlantic, the Kenyon Review, and the New Republic, and his many honors include fellowships from the National Endowment for the Arts and the Guggenheim Foundation, and an Award in Literature from the American Academy and Institute of Arts and Letters. From 2000 to 2012 he served as Georgia’s poet laureate. At Georgia State University, where Bottoms has taught for some thirty years, he is John B. and Elena Diaz-Verson Amos Distinguished Chair in English Letters. (Inducted in 2009)

Mama’s Murders

Lines Not Meant To Be Written

Judith Kitchen passed away on 6 November 2014, just days after completing work on the essay-review in Spring 2015 Georgia Review. The contributor’s note she supplied read as follows: “Judith Kitchen has three new forthcoming essays—in the Harvard Review, Great River Review, and River Teeth. Her most recent book, The Circus Train, was the lead publication in a new venture—Ovenbird Books, at ovenbirdbooks.org.” To that we respectfully add this brief overview of her writing and teaching career: Kitchen began as a poet, publishing the volume Perennials as the winner of the 1985 Anhinga Press Poetry Prize. She then shifted to prose writing of several sorts, with emphases on essays and reviews. Her four essay volumes are Only the Dance: Essays on Time and Memory (University of South Carolina Press, 1994); Distance and Direction (Graywolf Press, 2002); Half in Shade: Family, Photographs, and Fate (Coffee House Press, 2012); and The Circus Train (Ovenbird Books, 2013)—which appeared first, almost in its entirety, in the Summer 2013 issue of The Georgia Review. In 1998 Kitchen published a critical study, Writing the World: Understanding William Stafford (University of Oregon Press), and in 2002 a novel, The House on Eccles Road (Graywolf Press). She also conceived and edited three important collections of brief nonfiction pieces, all published by W. W. Norton: In Short (1996), In Brief (1999), and Short Takes (2005)—the first two coedited by Mary Paumier Jones. Kitchen also founded State Street Press in the early 1980s, bringing out over the next twenty years seventy-six poetry chapbooks, two pamphlets, five full-length poetry volumes, two collections of translations, and a poetry anthology—the State Street Reader. After teaching for many years at SUNY-Brockport—not all that far from her birthplace of Painted Post, NY—Judith retired and moved with her husband Stan Sanvel Rubin to Port Townsend, WA, from which they founded and co-directed for a decade the Rainier Writing Workshop low-residency MFA program at Pacific Lutheran University in Tacoma. The collection What Persists
Selected Essays on Poetry from The Georgia Review, 1988–2014 was published by the University of Georgia Press in 2015.

Flying Over Illinois at Sunset

The Snow That Is Nothing in the Triangle

Winter