From Performance to Print: Preface to a Native American Text

Walter Lippmann and the American Century by Ronald Steel

on Introducing David Jones by John Matthias

on Unsettling Europe by Jane Kramer

on Letters to Christopher: Stephen Spender’s Letters to Christopher Isherwood, 1929-1939 by Lee Bartlett

Stephen Corey joined the staff of The Georgia Review in 1983 as assistant editor and subsequently has served as associate editor, acting editor, and, since 2008, editor. His most recent book is Startled at the Big Sound: Essays Personal, Literary, and Cultural (Mercer University Press, 2017); he has also published nine collections of poems, among them There Is No Finished World (White Pine Press) and Synchronized Swimming (Livingston Press); his individual poems, essays, and reviews have appeared in dozens of periodicals; and he has coedited three books in as many genres, including (with Warren Slesinger) Spreading the Word: Editors on Poetry (The Bench Press). Over the past thirty-five years he has served as poet-in-residence or visiting poet/editor for numerous writing programs, conferences, and other literary gatherings, and he is currently a member of the core faculty for the low-residency MFA program at Reinhardt University. Born in Buffalo and reared in Jamestown, New York, Stephen Corey holds BA and MA degrees from Harpur College (now Binghamton University) and a PhD from the University of Florida.

on Henry Adams by R. P. Blackmur, Veronica A. Makowsky

on The Art of Maurice Sendak by Selma G. Lanes

Gerald Weales’s “American Theater Watch” appeared in these pages from 1978 until 2010, and we have also featured on occasion his essays and reviews on topics that have included World War II and the early-career political cartoons of one Theodore Geisel (a.k.a. Dr. Seuss). In addition to his distinguished career as an author and drama specialist, Weales was a longtime professor of English at the University of Pennsylvania, from which he retired in 1987; a senior Fulbright scholar at the University of Sri Lanka; and the recipient of a Guggenheim fellowship.

Walter Abish and the Surfaces of Life (on How German Is It by Walter Abish)

Autobiography: Act or Artifact?(on Autobiography: Essays Theoretical and Critical by James Olney;The Art of Life: Studies in American Autobiographical Literature by Mutlu Konuk Blasing; American Autobiography: The Prophetic Mode by G. Thomas Couser; The Forms of Autobiography: Episodes in the History of a Literary Genre by William C. Spengemann;& Autobiographical Acts: The Changing Situation of a Literary Genre by Elizabeth Bruss)