Jerry’s Dirt

[Winner of National Magazine Award in Profile Writing]

I began to see, however dimly, that one of my ambitions, perhaps my governing ambition, was to belong fully to this place, to belong as the thrushes and the herons and the muskrats belonged, to be altogether at home here.

Jacob Baynham is a freelance journalist and essayist who lives in Montana. He has written about criminal justice for The Christian Science Monitor, about parenting for Outside magazine, and has reported internationally for Newsweek, the San Francisco Chronicle, Slate, and other publications. He lives in Missoula with his wife, Hilly McGahan, and their two boys.

To Our Readers: A Postscript

In this Fall 2019 issue of The Georgia Review, the last with which I will be involved, Anne Wright’s essay “On the Farm”—about her late husband, James Wright (1928–1980), and his important involvement with fellow poet Robert Bly—opens with …

Stephen Corey joined the staff of The Georgia Review in 1983 as assistant editor and subsequently served as associate editor, acting editor, and, from 2008 to his retirement in 2019, editor. His most recent book is Startled at the Big Sound: Essays Personal, Literary, and Cultural (Mercer University Press, 2017); he has also published nine collections of poems, among them There Is No Finished World (White Pine Press) and Synchronized Swimming (Livingston Press); his individual poems, essays, and reviews have appeared in dozens of periodicals; and he has coedited three books in as many genres, including (with Warren Slesinger) Spreading the Word: Editors on Poetry (The Bench Press). In the spring of 2022, White Pine Press will bring out his As My Age Then Was, So I Understood Them: New and Selected Poems.

The Quiet Boy Noé Who Waited to Speak

 

He listened, very well.

He could not help himself.

 

Every sound he heard he remembered,

Making a great library of music inside himself.

 

He didn’t mean to, but could not help himself.

A sound asks for attention,

Alberto Ríos’s latest collections of poems are A Small Story About the Sky (2015), The Dangerous Shirt (2009), and The Theater of Night (2007)—this last the winner of the PEN/Beyond Margins Award, and all three from Copper Canyon Press. A finalist for the National Book Award in 2002 for The Smallest Muscle in the Human Body and the recipient of the Western Literature Association Distinguished Achievement Award, Ríos has taught at Arizona State University for over thirty-five years. He is Arizona’s inaugural poet laureate, a chancellor of the Academy of American Poets, and director of the Virginia G. Piper Center for Creative Writing at ASU.

on Look at the Lake by Kevin Brophy

Marianne Boruch’s ten poetry collections include the recent title The Anti-Grief (Copper Canyon Press, 2019). She was a Fulbright Senior Scholar in Australia last year at the University of Canberra’s International Poetry Studies Institute, observing the astonishing wildlife to write a book-length sequence, a neo-ancient/medieval bestiary, which is forthcoming from Copper Canyon. The poems in this issue are a part of that collection.

on Heart Like a Window, Mouth Like a Cliff by Sara Borjas

Situated midway between San Francisco and Los Angeles, about an hour’s drive from the geographical center of California, the inland city of Fresno and the wide expanse of the San Joaquin Valley around it have nurtured a number of influential …

on Tokyo by Michael Mejia

Tim Horvath is the author of Understories (Bellevue Literary Press, 2012), which won the New Hampshire Literary Award, and Circulation (sunnyoutside press, 2009), and his fiction appears in ConjunctionsAGNIHarvard Review, and elsewhere. He teaches creative writing at the New Hampshire Institute of Art in Manchester, New Hampshire, and in the Cambridge Writers’ Workshop’s program in Granada, Spain. He is currently working on a novel about contemporary composers and musicians.

on Oculus by Sally Wen Mao

Oculus, Sally Wen Mao’s second collection, travels swiftly and deftly through time and urban landscapes across continents. Unbounded by death and transcending history, these poems interrogate the relationship between technology and the body and confront the symbolic violence of …

Mary-Kim Arnold is the author of Litany for the Long Moment (Essay Press, 2018) and the forthcoming The Fish & The Dove (Noemi Press, 2020). Awarded fellowships from the Rhode Island Foundation and the Rhode Island State Council on the Arts, she holds an MFA from Brown University and now teaches there in the Nonfiction Writing Program.

on Horizon by Barry Lopez

“It’s good to know where you come from, so that you do not live as though you’re lost,” Barry Lopez writes about halfway through Horizon, his first full-length work of nonfiction since he cast his careful gaze on the …

Patrick Pittman is a writer and editor based in Toronto who has reported from many remote corners of the planet for a wide variety of media outlets, from magazines to radio stations. He is the editor of Alpine Review and a past editor of the Australian magazine Dumbo Feather. His debut theater work, Prompter, was staged in Melbourne in 2013.

Vexed Heritage: Two Southern Poets (on R. T. Smith’s Summoning Shades and Natasha Trethewey’s Monument: Poems New and Selected )

Floyd Collins earned his MFA and PhD at the University of Arkansas. A book of critical essays on poetry, The Living Artifact, is forthcoming from Stephen F. Austin University Press in spring 2021. The Teresa Poems will appear from Somondoco Press in fall 2021. His poetry and critical prose appear regularly with The Arkansas Review, The Georgia Review, The Gettysburg Review, and The Kenyon Review.