on Unless Soul Clap Its Hands: Portraits and Passages by Erika Duncan

Stephen Corey joined the staff of The Georgia Review in 1983 as assistant editor and subsequently has served as associate editor, acting editor, and, since 2008, editor. His most recent book is Startled at the Big Sound: Essays Personal, Literary, and Cultural (Mercer University Press, 2017); he has also published nine collections of poems, among them There Is No Finished World (White Pine Press) and Synchronized Swimming (Livingston Press); his individual poems, essays, and reviews have appeared in dozens of periodicals; and he has coedited three books in as many genres, including (with Warren Slesinger) Spreading the Word: Editors on Poetry (The Bench Press). Over the past thirty-five years he has served as poet-in-residence or visiting poet/editor for numerous writing programs, conferences, and other literary gatherings, and he is currently a member of the core faculty for the low-residency MFA program at Reinhardt University. Born in Buffalo and reared in Jamestown, New York, Stephen Corey holds BA and MA degrees from Harpur College (now Binghamton University) and a PhD from the University of Florida.

on Faces in a Single Tree; A Cycle of Monologues by Robert Pack

on Shakespearean Politics: Government and Misgovernment in the Great Histories by C. G. Thayer

on All the Olympians: A Biographical Portrait of the Irish Literary Renaissance by Ulick O’Connor

on The Seven Mountains of Thomas Merton by Michael Mott

on The Essays, Articles and Reviews of Evelyn Waugh by Donat Gallagher

Gerald Weales’s “American Theater Watch” appeared in these pages from 1978 until 2010, and we have also featured on occasion his essays and reviews on topics that have included World War II and the early-career political cartoons of one Theodore Geisel (a.k.a. Dr. Seuss). In addition to his distinguished career as an author and drama specialist, Weales was a longtime professor of English at the University of Pennsylvania, from which he retired in 1987; a senior Fulbright scholar at the University of Sri Lanka; and the recipient of a Guggenheim fellowship.

Poetry Chapbooks: Things Invisible to See (on Engraved on Air by Millard Dunn; January Fire by Corrinne Hales; White Lies by Lane Jennings; Digging for Shark Teeth by Rick Lott; An American Peace by Peter Oresick; Woman in White by Toney Teague; The Glow by Robert Wrigley; & The American Zimmer by Paul Zimmer)

Breaking the Family Rhythms (on We Are Not in This Together by William Kittredge; The Invention of Flight by Susan Neville; Fetching the Dead by Scott R. Sanders; & Wind and Birds and Human Voices by Ellen Wilbur)

Contemporary American Poetry: Does the Material World Exist? (on The Lamplit Answer by Gjertrud Schnackenberg; The Late Wisconsin Spring by John Koethe; Each Leaf Shines Separate by Rosanna Warren; Fugitive Angels by Jeanne Murray Walker; & For the New Year by Eric Pankey)