on You Know What Is Right by Jim Heynen

Stephen Corey joined the staff of The Georgia Review in 1983 as assistant editor and subsequently served as associate editor, acting editor, and, from 2008 to his retirement in 2019, editor. His most recent book is Startled at the Big Sound: Essays Personal, Literary, and Cultural (Mercer University Press, 2017); he has also published nine collections of poems, among them There Is No Finished World (White Pine Press) and Synchronized Swimming (Livingston Press); his individual poems, essays, and reviews have appeared in dozens of periodicals; and he has coedited three books in as many genres, including (with Warren Slesinger) Spreading the Word: Editors on Poetry (The Bench Press). In the spring of 2022, White Pine Press will bring out his As My Age Then Was, So I Understood Them: New and Selected Poems.

on Seeing Earth: Literary Responses To Space Exploration by Ronald Weber

Marianne Boruch’s ten poetry collections include the recent title The Anti-Grief (Copper Canyon Press, 2019). She was a Fulbright Senior Scholar in Australia last year at the University of Canberra’s International Poetry Studies Institute, observing the astonishing wildlife to write a book-length sequence, a neo-ancient/medieval bestiary, which is forthcoming from Copper Canyon. The poems in this issue are a part of that collection.

on The 60s, Without Apology by Sohnya Sayres, Anders Stephanson, Stanley Aronowitz, and Fredric Jameson

on Mothering the Mind: Twelve Studies of Writers and Their Silent Partners by Ruth Perry and Martine Watson Brownley

on Castle Tzingal by Fred Chappell

on The Incredulous Reader: Literature and the Function of Disbelief by Clayton Koelb

on One Hundred Years of Huckleberry Finn: The Boy, His Book, and American Culture by Robert Sattelmeyer and J. Donald Crowley

on The Great Father: The United States Government and the American Indians. 2 volumes by Francis Paul Prucha

on Great Reckonings in Little Rooms: on the Phenomenology of Theater by Bert O. States & The Idea of the Actor: Drama and the Ethics of Performance by William B. Worthen

Gerald Weales’s “American Theater Watch” appeared in these pages from 1978 until 2010, and we have also featured on occasion his essays and reviews on topics that have included World War II and the early-career political cartoons of one Theodore Geisel (a.k.a. Dr. Seuss). In addition to his distinguished career as an author and drama specialist, Weales was a longtime professor of English at the University of Pennsylvania, from which he retired in 1987; a senior Fulbright scholar at the University of Sri Lanka; and the recipient of a Guggenheim fellowship.