on Inventing the Truth: The Art and Craft of Memoir by William Zinsser

on Eve’s Journey: Feminine Images in Hebraic Literary Tradition by Nehama Aschkenasy

on Incidents in the Life of a Slave Girl: Written by Herself. by Harriet A. Jacobs by Jean Fagan Yellin

on Eros the Bittersweet by Anne Carson

Reading the Bible Well, in a Secular, Post-Holocaust Age (on Congregation: Contemporary Writers Read the Jewish Bible by David Rosenberg & The Literary Guide to the Bible by Robert Alter and Frank Kermode)

The Hegemony of “Hegemony”: Criticism, Capitalism, and Being in the World (on The Political Responsibility of the Critic by Jim Merod & Politics of Letters by Richard Ohmann)

Gold Rings: Recent Award-Winning Poetry Volumes (on Fragments from the Fire: The Triangle Shirtwaist Company Fire of March 25, 1911 by Chris Llewellyn; Little Star by Mark Halliday; Saving the Young Men of Vienna by David Kirby; Whistle Maker by Robert J. Levy; & Stages of Twilight by Alice Derry)

Stephen Corey joined the staff of The Georgia Review in 1983 as assistant editor and subsequently has served as associate editor, acting editor, and, since 2008, editor. His most recent book is Startled at the Big Sound: Essays Personal, Literary, and Cultural (Mercer University Press, 2017); he has also published nine collections of poems, among them There Is No Finished World (White Pine Press) and Synchronized Swimming (Livingston Press); his individual poems, essays, and reviews have appeared in dozens of periodicals; and he has coedited three books in as many genres, including (with Warren Slesinger) Spreading the Word: Editors on Poetry (The Bench Press). Over the past thirty-five years he has served as poet-in-residence or visiting poet/editor for numerous writing programs, conferences, and other literary gatherings, and he is currently a member of the core faculty for the low-residency MFA program at Reinhardt University. Born in Buffalo and reared in Jamestown, New York, Stephen Corey holds BA and MA degrees from Harpur College (now Binghamton University) and a PhD from the University of Florida.

The Difference Between a Rooster and a Whore

Michael Waters’s recent and forthcoming books include The Dean of Discipline (University of Pittsburgh Press, 2018), Celestial Joyride (BOA Editions, 2016), and a coedited anthology, Reel Verse: Poems about the Movies (Knopf, 2019). A 2017 Guggenheim Fellow, Waters teaches at Monmouth University and for the Drew University MFA program. He is also the recipient of five Pushcart Prizes and fellowships from the NEA, the Fulbright Foundation, and the New Jersey State Council on the Arts.

Dancing with Gloom and Broken Noses