Marianne Boruch’s ten poetry collections include the recent title The Anti-Grief (Copper Canyon Press, 2019). She was a Fulbright Senior Scholar in Australia last year at the University of Canberra’s International Poetry Studies Institute, observing the astonishing wildlife to write a book-length sequence, a neo-ancient/medieval bestiary, which is forthcoming from Copper Canyon. The poems in this issue are a part of that collection.
Jim Peterson is the author of five poetry collections, three chapbooks, and a novel; his newest collection, Original Face, was released by Gunpowder Press in October 2015. Peterson’s poems have appeared widely in such journals as Poetry, Shenandoah, Poetry Northwest, Prairie Schooner, South Dakota Review, and Cave Wall. He lives with his charismatic corgi, Mama Kilya, in Lynchburg, Virginia.
Margaret Gibson is the current poet laureate of Connecticut and the author of twelve books of poems, all from Louisiana State University Press, most recently Not Hearing the Wood Thrush (2018) and The Glass Globe (forthcoming in 2021), as well as a memoir, The Prodigal Daughter (University of Missouri Press, 2008). The Vigil (1993) was a finalist for the National Book Award in Poetry; Broken Cup (2016) was a finalist for the Poets’ Prize, and its title poem won a Pushcart Prize that year. Gibson is professor emerita at the University of Connecticut.