Skating on Paper (on A Dream of Mind by C. K. Williams; Travels by W. S. Merwin; To Put the Mouth To by Judith Hall; Fanatic Heart by Deborah Pope; Shoetown by Gerald McCarthy; & Short Talks by Anne Carson)

Judith Kitchen passed away on 6 November 2014, just days after completing work on the essay-review in Spring 2015 Georgia Review. The contributor’s note she supplied read as follows: “Judith Kitchen has three new forthcoming essays—in the Harvard Review, Great River Review, and River Teeth. Her most recent book, The Circus Train, was the lead publication in a new venture—Ovenbird Books, at ovenbirdbooks.org.” To that we respectfully add this brief overview of her writing and teaching career: Kitchen began as a poet, publishing the volume Perennials as the winner of the 1985 Anhinga Press Poetry Prize. She then shifted to prose writing of several sorts, with emphases on essays and reviews. Her four essay volumes are Only the Dance: Essays on Time and Memory (University of South Carolina Press, 1994); Distance and Direction (Graywolf Press, 2002); Half in Shade: Family, Photographs, and Fate (Coffee House Press, 2012); and The Circus Train (Ovenbird Books, 2013)—which appeared first, almost in its entirety, in the Summer 2013 issue of The Georgia Review. In 1998 Kitchen published a critical study, Writing the World: Understanding William Stafford (University of Oregon Press), and in 2002 a novel, The House on Eccles Road (Graywolf Press). She also conceived and edited three important collections of brief nonfiction pieces, all published by W. W. Norton: In Short (1996), In Brief (1999), and Short Takes (2005)—the first two coedited by Mary Paumier Jones. Kitchen also founded State Street Press in the early 1980s, bringing out over the next twenty years seventy-six poetry chapbooks, two pamphlets, five full-length poetry volumes, two collections of translations, and a poetry anthology—the State Street Reader. After teaching for many years at SUNY-Brockport—not all that far from her birthplace of Painted Post, NY—Judith retired and moved with her husband Stan Sanvel Rubin to Port Townsend, WA, from which they founded and co-directed for a decade the Rainier Writing Workshop low-residency MFA program at Pacific Lutheran University in Tacoma. The collection What Persists
Selected Essays on Poetry from The Georgia Review, 1988–2014 was published by the University of Georgia Press in 2015.

Goodbye on the Wind

The Stones of Callanish & Norwegians at the Shetland Hotel

Brendan Galvin is the author of sixteen poetry collections, most recently Habitat: New and Selected Poems, 1965–2005 (2005), a finalist for the National Book Award; Ocean Effects (2007); and Whirl Is King (2008)—all from Louisiana State University Press. His translation of Sophocles’ Women of Trachis appeared in the Penn Greek Drama Series (University of Pennsylvania Press, 1998).

American Theater Watch, 1992–1993

Gerald Weales’s “American Theater Watch” appeared in these pages from 1978 until 2010, and we have also featured on occasion his essays and reviews on topics that have included World War II and the early-career political cartoons of one Theodore Geisel (a.k.a. Dr. Seuss). In addition to his distinguished career as an author and drama specialist, Weales was a longtime professor of English at the University of Pennsylvania, from which he retired in 1987; a senior Fulbright scholar at the University of Sri Lanka; and the recipient of a Guggenheim fellowship.

Nights Without Rockets

Shiva’s Prowess & Banded Krait

Maurya Simon’s tenth volume of poetry, The Wilderness: New & Selected Poems, 1980–2016, was recently published by Red Hen Press (2018). Other recent publications include The Raindrop’s Gospel: The Trials of St. Jerome & St. Paula (Elixir Press, 2010), and Questions My Daughter Asked Me, Answers I Never Gave Her (Blackbird Press, 2014). Simon has received an NEA Fellowship in poetry and two awards from the Poetry Society of America, and this fall she will serve her third visiting artist residency at the American Academy in Rome. Simon is currently a Professor of the Graduate Division and a Professor Emerita at the University of California–Riverside, where she taught literature and creative writing for nearly thirty years.

The Extent of Fatherhood

We

Karen Swenson has published five volumes of poetry, been included in numerous anthologies, and appeared in The New Yorker, Saturday Review, Poetry, Commonweal, Miramar, The Nation, and other publications. Also the author of travel and political articles for the Wall Street Journal and the New York Times, Swenson presently lives in Barcelona, Spain.

Fishing, Winter 1989