Marianne Boruch’s ten poetry collections include the recent title The Anti-Grief (Copper Canyon Press, 2019). She was a Fulbright Senior Scholar in Australia last year at the University of Canberra’s International Poetry Studies Institute, observing the astonishing wildlife to write a book-length sequence, a neo-ancient/medieval bestiary, which is forthcoming from Copper Canyon. The poems in this issue are a part of that collection.
Mary Odden’s essays have appeared in The Georgia Review, Nimrod, and Northwest Review, and have been anthologized in UnderNorthern Lights: Writers and Artists View the Northern Landscape and elsewhere. She owned and ran a community newspaper in Glennallen, Alaska, the Copper River Record, for five years; she now works as an aviation dispatcher for the National Park Service during the summers and in the winter teaches English at Prince William Sound Community College.
Pattiann Rogers has published fourteen books of poetry, most recently Holy Heathen Rhapsody (Penguin, 2013), and a selection of her uncollected poems is forthcoming from Penguin/Random House in 2018. A gathering of 329 journals and magazines containing her poems was recently acquired by Texas Tech University and is housed in the Sowell Family Collection in Literature, Community, and the Natural World.