on Chapters of Experience: Studies in Modern American Autobiography by Gordon O. Taylor

Linda Simon’s many critical and biographical books range from Coco Chanel (Reaktion Books, 2011) to Dark Light: Electricity and Anxiety from the Telegraph to the X-ray (2004) to Thornton Wilder, His World (1979). A past president of the William James Society and general editor of the journal William James Studies, Simon is a professor of English at Skidmore College.

“Not as a Leaf”: Southern Poetry and the Innovation of Tradition

Making

Orchids

Cathy Smith Bowers’ collections of poetry include Like Shining from Shook Foil (2010), The Candle I Hold Up to See You (2009), and A Book of Minutes (2004), and her poems have appeared in publications such as Poetry, the Southern Review, Kenyon Review, and Ploughshares. For many years the poet-in-residence at Queens University of Charlotte, Bowers currently teaches in the low-residency MFA program at Queens and in the Haden Institute Spiritual Direction and Dream Leadership programs. From 2010 to 2012, she was poet laureate of North Carolina.

The Prodigal Son Paraphrases a Plagiarist

Insomniacs’ Debating Society

Never to the Present

Inheritance

Kyoko Uchida’s poetry, prose, and translations have appeared in The Georgia Review, Manoa, North American Review, Prairie Schooner, and other journals on three continents; her poetry collection Elsewhere was published by Texas Tech University Press in 2012. Uchida works for a nonprofit organization in New York City.

Portrait of My Mother, Who Posed Nude in Wartime

Marjorie Sandor’s forthcoming memoir, The Late Interiors: A Life Under Construction (Arcade/Skyhorse Publishing), will be her fourth book. Her linked story collection, Portrait of My Mother, Who Posed Nude in Wartime (Sarabande, 2003), followed A Night of Music (Ecco, 1989) and won the National Jewish Book Award in Fiction; eight of her stories have appeared in GR. Sandor’s volume of essays The Night Gardener: A Search for Home (Lyons Press, 1999) won the 2000 Oregon Book Award for Literary Nonfiction, and her work has appeared in the Best American Short Stories and Pushcart Prize anthologies, among others. Sandor directs the MFA program in creative writing at Oregon State University in Corvallis.