Simonides’ Stone

Ogre, Glory, Waterfall: Reflections on Writing and Fathering

Sydney Lea’s thirteenth collection of poems, Here, is forthcoming from Four Way Books next year. Also due in 2018, from Vermont’s Green Writers Press, are Lea’s collected newspaper columns from his years as Vermont poet laureate, News That Stay News: Lyric and Everyday Life, his, and a re-issue of his collaborative book of essays with former Delaware poet laureate Fleda Brown, Growing Old in Poetry: Two Poets, Two Lives.

Tentmaking

Coleman Barks, professor emeritus at the University of Georgia, has since 1977 collaborated with various scholars of the Persian language (most notably, John Moyne) to bring over into American free verse the poetry of the thirteenth-century mystic Jelaluddin Rumi. This work has resulted in twenty-one volumes, including the bestselling Essential Rumi in 1995. He has also published eight volumes of his own poetry, including Hummingbird Sleep: Poems 2009–2011 (2012) and Winter Sky: Poems 1968–2008 (2008), both from the University of Georgia Press. 

Dark Matter: Thinking About Nothing

Hobbes

The Checker

Kent Meyers has published a memoir, a book of short fiction, and three novels, two of which have been listed as New York Times Notable Books. (The most recent is Twisted Tree, released in 2009). His work has won numerous honors, including a Society of Midland Authors Award and a High Plains Book Award. Meyers has published fiction and essays in various literary journals and magazines, including Harper’s and (several times) The Georgia Review. He lives in Spearfish, South Dakota, and teaches in Pacific Lutheran University’s low-residency MFA program, the Rainier Writing Workshop.

on Notes for a Late-blooming Martyr by Marlys West

William Trowbridge’s latest collection, Put This On, Please: New and Selected Poems, was published in March 2013 by Red Hen Press. His other collections include Ship of Fool (Red Hen, 2011), and The Complete Book of Kong (Southeast Missouri State University Press, 2003). His poems have appeared in more than thirty-five anthologies and textbooks, as well as on The Writer’s Almanac and in such periodicals as Poetry and the Gettysburg Review. Currently poet laureate of Missouri, Trowbridge lives in the Kansas City area and teaches in the University of Nebraska low-residency MFA in writing program.

on Holy Personal: Looking for Small Private Places of Worship by Laura Chester and Donna DeMari

L. S. Klatt is the author of four poetry volumes, including a collection of prose poems titled The Wilderness After Which (Otis Books, 2017). Recent poems have appeared in Crazyhorse, the Iowa Review, Kenyon Review Online, and Copper Nickel, and his essay “The Electric Whitman” is in the Spring 2008 issue of the Southern Review. Klatt is the former Poet Laureate of Grand Rapids, Michigan.

In Pursuit of Elegance (on Learning Human: Selected Poems by Les Murray; Open Closed Open by Yehuda Amichai; Tiepolo’s Hound by Derek Walcott; The Flashboat: Poems Collected and Reclaimed by Jane Cooper; Reign of Snakes by Robert Wrigley; How Things Are by James Richardson; Years Later by Gregory Djanikian; and Different Hours by Stephen Dunn)

Judith Kitchen passed away on 6 November 2014, just days after completing work on the essay-review in Spring 2015 Georgia Review. The contributor’s note she supplied read as follows: “Judith Kitchen has three new forthcoming essays—in the Harvard Review, Great River Review, and River Teeth. Her most recent book, The Circus Train, was the lead publication in a new venture—Ovenbird Books, at ovenbirdbooks.org.” To that we respectfully add this brief overview of her writing and teaching career: Kitchen began as a poet, publishing the volume Perennials as the winner of the 1985 Anhinga Press Poetry Prize. She then shifted to prose writing of several sorts, with emphases on essays and reviews. Her four essay volumes are Only the Dance: Essays on Time and Memory (University of South Carolina Press, 1994); Distance and Direction (Graywolf Press, 2002); Half in Shade: Family, Photographs, and Fate (Coffee House Press, 2012); and The Circus Train (Ovenbird Books, 2013)—which appeared first, almost in its entirety, in the Summer 2013 issue of The Georgia Review. In 1998 Kitchen published a critical study, Writing the World: Understanding William Stafford (University of Oregon Press), and in 2002 a novel, The House on Eccles Road (Graywolf Press). She also conceived and edited three important collections of brief nonfiction pieces, all published by W. W. Norton: In Short (1996), In Brief (1999), and Short Takes (2005)—the first two coedited by Mary Paumier Jones. Kitchen also founded State Street Press in the early 1980s, bringing out over the next twenty years seventy-six poetry chapbooks, two pamphlets, five full-length poetry volumes, two collections of translations, and a poetry anthology—the State Street Reader. After teaching for many years at SUNY-Brockport—not all that far from her birthplace of Painted Post, NY—Judith retired and moved with her husband Stan Sanvel Rubin to Port Townsend, WA, from which they founded and co-directed for a decade the Rainier Writing Workshop low-residency MFA program at Pacific Lutheran University in Tacoma. The collection What Persists
Selected Essays on Poetry from The Georgia Review, 1988–2014 was published by the University of Georgia Press in 2015.