David Moolten’s most recent book, Primitive Mood (2009), won the T. S. Eliot Prize from Truman State University Press. Moolten is also the author of Especially Then (David Robert Books, 2005), and Plums & Ashes (Northeastern University, 1994), which won the Samuel French Morse Poetry Prize. His poems have appeared in Poetry, the Kenyon Review, the Southwest Review, and Epoch, among other journals and reviews.
Elizabeth Dodd’s essay in this issue will appear in her new book, Horizon’s Lens: My Time on the Turning World, forthcoming from the University of Nebraska Press in fall 2012. She teaches at Kansas State University.
It’s OK to Be Beautiful: The Photography of Michael Eastman
Chase Twichell’s most recent book is Horses Where the Answers Should Have Been: New & Selected Poems (Copper Canyon Press, 2010), which won both the Kingsley Tufts Award from Claremont Graduate University and the Balcones Poetry Prize. A new book, Things as It Is, is forthcoming from Copper Canyon in 2018.
Cleopatra Mathis, author of seven books of poems, has seen her work appear widely in anthologies, magazines, and journals, including the New Yorker, Poetry, BestAmericanPoetry, TriQuarterly, The Made Thing: An Anthology of Contemporary Southern Poetry, and The Extraordinary Tide: Poetry by American Women. She has been the recipient of two National Endowment for the Arts grants, the Jane Kenyon Award, the Peter I. B. Lavan Younger Poets Award, two Pushcart Prizes, and the Robert Frost Award.