“You are me. Or, more precisely, we are it.” (on A God in the House: Poets Talk about Faith, edited by Katherine Towler and Ilya Kaminsky; & Who’s Yer Daddy?: Gay Writers Celebrate Their Mentors and Forerunners, edited by Jim Elledge and David Groff)

Abigail Minor has studied at Smith College, the Penland School for Crafts, and the Pennsylvania State University, where she currently holds a postdoctoral teaching fellowship. She lives in Millheim, Pennsylvania.

Still the Talk of the Town: Literary Work and the New Yorker (on Janet Carey Eldred’s Literate Zeal: Gender and the Making of a New Yorker Ethos; & Elizabeth Bishop and The New Yorker: The Complete Correspondence, edited by Joelle Biele)

C. J. Bartunek received her PhD in English from the University of Georgia and her BA from the University of Southern California. Her writing has appeared in The Smart SetPacific StandardThe Big Roundtable, and elsewhere. 

Register, Resonate, Ring (on Bruce Beasley’s Theophobia; Annette Spaulding-Convy’s In Broken Latin; Bill Neumire’s Estrus; and Stanley Plumly’s Orphan Hours)

Judith Kitchen passed away on 6 November 2014, just days after completing work on the essay-review in Spring 2015 Georgia Review. The contributor’s note she supplied read as follows: “Judith Kitchen has three new forthcoming essays—in the Harvard Review, Great River Review, and River Teeth. Her most recent book, The Circus Train, was the lead publication in a new venture—Ovenbird Books, at ovenbirdbooks.org.” To that we respectfully add this brief overview of her writing and teaching career: Kitchen began as a poet, publishing the volume Perennials as the winner of the 1985 Anhinga Press Poetry Prize. She then shifted to prose writing of several sorts, with emphases on essays and reviews. Her four essay volumes are Only the Dance: Essays on Time and Memory (University of South Carolina Press, 1994); Distance and Direction (Graywolf Press, 2002); Half in Shade: Family, Photographs, and Fate (Coffee House Press, 2012); and The Circus Train (Ovenbird Books, 2013)—which appeared first, almost in its entirety, in the Summer 2013 issue of The Georgia Review. In 1998 Kitchen published a critical study, Writing the World: Understanding William Stafford (University of Oregon Press), and in 2002 a novel, The House on Eccles Road (Graywolf Press). She also conceived and edited three important collections of brief nonfiction pieces, all published by W. W. Norton: In Short (1996), In Brief (1999), and Short Takes (2005)—the first two coedited by Mary Paumier Jones. Kitchen also founded State Street Press in the early 1980s, bringing out over the next twenty years seventy-six poetry chapbooks, two pamphlets, five full-length poetry volumes, two collections of translations, and a poetry anthology—the State Street Reader. After teaching for many years at SUNY-Brockport—not all that far from her birthplace of Painted Post, NY—Judith retired and moved with her husband Stan Sanvel Rubin to Port Townsend, WA, from which they founded and co-directed for a decade the Rainier Writing Workshop low-residency MFA program at Pacific Lutheran University in Tacoma. The collection What Persists
Selected Essays on Poetry from The Georgia Review, 1988–2014 was published by the University of Georgia Press in 2015.

Archaeology

Stephen Dunn is the author of numerous books of poetry and prose. His Degrees of Fidelity: Essays on Poetry and the Latitudes of the Personal,  is due out from Tiger Bark Press in October 2018, and a new collection of poems, Pagan Virtues, is scheduled to be published by W. W. Norton in 2019. He has been the recipient of many awards, including the 2001 Pulitzer Prize in Poetry for Different Hours, and he has had fellowships from the Guggenheim and Rockefeller foundations. Dunn lives in Frostburg, Maryland, with his wife, the writer Barbara Hurd.

On the Silver Anniversary of a Heartbreak

Lynn Powell is the author of two books of poetry as well as a book of nonfiction, Framing Innocence: A Mother’s Photographs, A Prosecutor’s Zeal, and A Small Town’s Response (The New Press, 2010), which won the Studs and Ida Terkel Award. The recipient of fellowships from the NEA and the Ohio Arts Council, Powell has lived in Ohio since 1990 and currently teaches at Oberlin College.

Autumn

Sydney Lea’s thirteenth collection of poems, Here, is forthcoming from Four Way Books next year. Also due in 2018, from Vermont’s Green Writers Press, are Lea’s collected newspaper columns from his years as Vermont poet laureate, News That Stay News: Lyric and Everyday Life, his, and a re-issue of his collaborative book of essays with former Delaware poet laureate Fleda Brown, Growing Old in Poetry: Two Poets, Two Lives.

Postscript

Richard Bernstein’s “Wheeling and Dealing” and “Wheelman” mark his fourth appearance in The Georgia Review. A twelve-time recipient of the Bright Hill Press New York State Poetry Teacher of the Year Award, he is currently in his twenty-eighth year as a high school English, creative writing, and drama teacher in Norwich, New York. He also teaches courses in English and public speaking at Morrisville State College.

Coming or Going

Elton Glaser has published eight full-length collections of poetry, most recently two books in 2013: Translations from the Flesh (University of Pittsburgh Press) and The Law of Falling Bodies (University of Arkansas Press).

Coming to Terms

Alice Friman’s seventh collection of poetry is Blood Weather, forthcoming from Louisiana State University Press in 2019. She’s the winner of a Pushcart Prize and is included in Best American Poetry. New work is forthcoming in PloughsharesPlume, Shenandoah, Western Humanities Review, and others. She lives in Milledgeville, Georgia, where she was poet-in-residence at Georgia College and State University.