on The Empire of the Dead by Tracy Daugherty

Benjamin Woodard is a senior editor at Numéro Cinq and helps edit Atlas and Alice. His recent writing has appeared in Revolver, Kenyon Review Online, and Publishers Weekly.

on City Lights Pocket Poets Anthology: 60th Anniversary Edition, edited by Lawrence Ferlinghetti

Jeff Gundy’s eighth book of poems, Without a Plea, was published in early 2019 by Bottom Dog Press. Recent poems and essays are in Cincinnati Review, River Teeth, Forklift, Ohio, Terrain, and Christian Century. He is at work on a series of lyric essays about the Illinois prairie with the working title “Wind Farm.”

 

Playing Fields for the Short Story (on Amy Gustine’s You Should Pity Us Instead; Rebecca Makkai’s Music for Wartime; and Flash Fiction International: Very Short Stories from Around the World, edited by James Thomas, Robert Shapard, and Christopher Merrill)

Jacqueline Kolosov’s lyric memoir, Motherhood, and the Places Between (Stillhouse Press, 2016) won the 2015 Mary Roberts Rinehart Award. She is also the author of three collections of poems, most recently Memory of Blue (Salmon Poetry, 2015). The co-editor of Family Resemblance: An Anthology and Exploration of 8 Hybrid Literary Genres (Rose Metal Press, 2015), Kolosov has new poems and prose in the Sewanee Review, Prairie Schooner, and the Southern Review. She lives with her family in Texas.

Infusion: Round III

Nancy Naomi Carlson, a poet, translator, and essayist, has authored eleven titles and translated seven. Her collection An Infusion of Violets (Seagull Books, 2019) was named “New & Noteworthy” by The New York Times. A recipient of two literature translation grants from the NEA, her work has appeared in The Georgia Review, The Paris Review, American Poetry Review, and Poetry. Carlson co-edited the recent anthology 101 Jewish Poems for the Third Millennium (Ashland Poetry Press, 2021) and translated Khal Torabully’s forthcoming Cargo Hold of Stars: Coolitude (Seagull Books, 2021). She holds two doctorates and was decorated by the Order of the French Academic Palms. She teaches counseling at Walden University.

Dead

Susan Ludvigson, Professor Emerita at Winthrop University, was the 2014 winner of the James Dickey Prize for Poetry from Five Points magazine. She has published eight collections of poems with LSU Press, including Escaping the House of Certainty (2006). The first line of “Dead,” appearing here, is the title of her next collection. Most recently, her poems can be found in the Yale Review and the Southern Review.

It Doesn’t Matter If You’re Careful

Gaylord Brewer’s most recent books are a ninth collection of poetry, Country of Ghost (Red Hen Press, 2015), and the cookbook-memoir The Poet’s Guide to Food, Drink, & Desire (Stephen F. Austin University Press, 2015). He has published widely in journals and anthologies, including Best American Poetry and The Bedford Introduction to Literature. Brewer is a professor at Middle Tennessee State University, where he is the founding editor of the journal Poems & Plays.

Demeter’s Escape

LaWanda Walters is the author of a forthcoming book of poems, Light Is the Odalisque, selected by Pamela Uschuk and William Pitt Root for the Silver Concho Series at Press 53. Her “Goodness in Mississippi,” originally published in The Georgia Review (Winter 2013) was chosen by Sherman Alexie for Best American Poetry 2015.

White Out

Alice Friman’s seventh collection of poetry is Blood Weather, forthcoming from Louisiana State University Press in 2019. She’s the winner of a Pushcart Prize and is included in Best American Poetry. New work is forthcoming in PloughsharesPlume, Shenandoah, Western Humanities Review, and others. She lives in Milledgeville, Georgia, where she was poet-in-residence at Georgia College and State University.

Elm Street

Suzanne Cleary won the John Ciardi Prize for Poetry for her third book, Beauty Mark (BkMk Press, 2013). Recipient of a Pushcart Prize, she teaches in the low-residency MFA in creative writing program at Converse College.