Stillness, Waiting

If the trout died it would not be

as motionless as it is now,

in a current a man cannot 

stand in and under which looser

stones go tumbling from their sockets.

Across its back it seems sunlight

is what’s

Robert Wrigley, Distinguished Professor Emeritus at the University of Idaho, lives in the high-mountain woods near Moscow. His eleventh and most recent book of poems is Box (Penguin, 2017).

Lands of Lost Borders

Tibetan Plateau

My obsession with borders was born all at once in three different countries, depending on who you ask. I was in my early twenties, biking with a friend across the parched soda plains of the Askai Chin. For …

Kate Harris is the 2012 winner of the Ellen Meloy Desert Writers Award and has been nominated for the Pushcart Prize and cited as a “Notables” selection in Best American Essays. Born and raised in southwestern Ontario, she currently lives near the borders of Alaska, British Columbia, and the Yukon, in an off-grid log cabin roughly proportioned like a haiku (5’ x 7’ x 7’), from which she reports on global environmental negotiations for the International Institute for Sustainable Development. She is working on a book about cycling the Silk Road and other practical experiments in soaring.

On The View from Saturn & More: An Interview with Alice Friman

Gina Abelkop: L is for Leaves,” your poem in our Summer 2014 issue, begins softly, with a meditation on daily routine and watching the leaves outside through a window, but ends with a darker finish with the narrator “not …

True Adventures in Modern Living

Nadine Boughton’s color-drenched, surreal photo-collages contrast the sterility of the modern American home with the explosive, often feral natural world to present unique portraits of mid-twentieth-century anxiety. The majority of the work in this portfolio is drawn from Boughton’s project…

Nadine Boughton currently lives in Gloucester, MA, where she independently teaches photography, collage, and creative writing. Educated at the Visual Studies Workshop in Rochester, NY, and the Lesley University Seminars in Cambridge, MA, Boughton was selected as one of the “Top 50” photographers in Photolucida’s Critical Mass competition in both 2011 and 2013. Her work has been exhibited widely at locations including Davis Orton Gallery in Hudson Valley, NY, Candela Books and Gallery in Richmond, VA, JoAnne Artman Gallery in Laguna Beach, CA, and the Griffin Museum of Photography in Winchester, MA.

Odd Objects, Discomfort, & Joy: A Conversation with Lisa Knopp

John Brown Spiers: Your essays are layered almost impossibly well. Not only are they never about just one thing (or even just a couple of things), they very rarely meander, or “essay,” in the sense of a journey without a …

on Annotated Glass by Alyse Knorr

This striking first collection explores love and loss through a series of linked poems that dramatizes the experiences of a young woman named Alice. The name of the heroine of Annotated Glass echoes the author’s name in a generative misspeaking …

Dan Rosenberg is the author of cadabra (Carnegie Mellon University Press, forthcoming 2015) and The Crushing Organ (Dream Horse Press, 2012). His poems have appeared recently in jubilat, Salt Hill, Conjunctions, and Blackbird. A PhD candidate at the University of Georgia, he co-edits Transom.

When the River Is Ice

It’s 2014, the 100th anniversary of William Stafford’s birth, and people all over the country are celebrating his life and work. Why Stafford, I wonder, when I don’t remember so much interest in 100th anniversaries for Theodore Roethke, Elizabeth Bishop, …

Judith Kitchen passed away on 6 November 2014, just days after completing work on the essay-review in Spring 2015 Georgia Review. The contributor’s note she supplied read as follows: “Judith Kitchen has three new forthcoming essays—in the Harvard Review, Great River Review, and River Teeth. Her most recent book, The Circus Train, was the lead publication in a new venture—Ovenbird Books, at ovenbirdbooks.org.” To that we respectfully add this brief overview of her writing and teaching career: Kitchen began as a poet, publishing the volume Perennials as the winner of the 1985 Anhinga Press Poetry Prize. She then shifted to prose writing of several sorts, with emphases on essays and reviews. Her four essay volumes are Only the Dance: Essays on Time and Memory (University of South Carolina Press, 1994); Distance and Direction (Graywolf Press, 2002); Half in Shade: Family, Photographs, and Fate (Coffee House Press, 2012); and The Circus Train (Ovenbird Books, 2013)—which appeared first, almost in its entirety, in the Summer 2013 issue of The Georgia Review. In 1998 Kitchen published a critical study, Writing the World: Understanding William Stafford (University of Oregon Press), and in 2002 a novel, The House on Eccles Road (Graywolf Press). She also conceived and edited three important collections of brief nonfiction pieces, all published by W. W. Norton: In Short (1996), In Brief (1999), and Short Takes (2005)—the first two coedited by Mary Paumier Jones. Kitchen also founded State Street Press in the early 1980s, bringing out over the next twenty years seventy-six poetry chapbooks, two pamphlets, five full-length poetry volumes, two collections of translations, and a poetry anthology—the State Street Reader. After teaching for many years at SUNY-Brockport—not all that far from her birthplace of Painted Post, NY—Judith retired and moved with her husband Stan Sanvel Rubin to Port Townsend, WA, from which they founded and co-directed for a decade the Rainier Writing Workshop low-residency MFA program at Pacific Lutheran University in Tacoma. The collection What Persists
Selected Essays on Poetry from The Georgia Review, 1988–2014 was published by the University of Georgia Press in 2015.

L  Is for Leaves

Not to worry. Each morning 

after you kiss my cheek 

and lock the door behind you, 

leaving me alone with my body 

and this house to walk it around in, 

I’ve plenty to do. Monitoring

the meat defrosting on the

Alice Friman’s seventh collection of poetry is Blood Weather, forthcoming from Louisiana State University Press in 2019. She’s the winner of a Pushcart Prize and is included in Best American Poetry. New work is forthcoming in PloughsharesPlume, Shenandoah, Western Humanities Review, and others. She lives in Milledgeville, Georgia, where she was poet-in-residence at Georgia College and State University.

Black Work

She stood at the window and watched me.

How long she had waited for me to wake up

I dared not ask, nor could she have answered, 

her jaws woven shut by the undertaker’s twine,

a trade she knew well,

Kathryn Stripling Byer received the 2013 North Carolina Book Award and the 2013 Southern Independent Booksellers Award for Poetry for her most recent collection, Descent (Louisiana State University Press, 2012). A native of south Georgia, she recently completed five years as North Carolina’s first woman poet laureate. Frequently anthologized, her poetry, essays, and fiction have appeared in publications ranging from the Atlantic to Appalachian Heritage.