Available in our Spring 2000 issue.
Genre: Reviews
Available in our Spring 2000 issue.
Uncategorized
on The Playwright’s Voice: American Dramatists on Memory, Writing and the Politics of Culture by David Savran
Available in our Spring 2000 issue.
Available in our Spring 2000 issue.
Uncategorized
It’s Only Rock-and-Roll (on Selfwolf by Mark Halliday and Road Atlas: Prose and Other Poems by Campbell McGrath)
Available in our Spring 2000 issue.
Uncategorized
Position, Connection, Conviction (on Reluctantly: Autobiographical Essays by Hayden Carruth; What the Twilight Says: Essays by Derek Walcott; Twenty Questions by J. D. McClatchy; Stealing Glimpses: Of Poetry, Poets, and Things in Between by Molly McQuade; and After-Images: Autobiographical Sketches by W. D. Snodgrass)
Available in our Spring 2000 issue.
Uncategorized
“Bursting Under the Window, Inconsolable”: Five Recent Chapbooks (on 3 Marbles by Judith Kerman; Kissing the Bees by John Sokol; Surge by Matthew Cooperman; Bukowski Boulevard by Joan Jobe Smith; and The Last Campaign by Rachel Loden)
Available in our Summer 2000 issue.
Uncategorized
The Subjective Correlative (on A Saturday Night at the Flying Dog and Other Poems by Marcia Southwick; Then, Suddenly by Lynn Emanuel; In the Surgical Theatre by Dana Levin; Swarm by Jorie Graham; and Lifelines: Selected Poems, 1950-1999 by Philip Booth)
Available in our Summer 2000 issue.
Uncategorized
Brute Force: Violent Stories (on What Salmon Know by Elwood Reid; How Animals Mate by Daniel Mueller; The Wonders of the Invisible World by David Gates; Poachers: Stories by Tom Franklin; and Close Range: Wyoming Stories by Annie Proulx)
Available in our Summer 2000 issue.
