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The Georgia Review Summer 1980

Table of Contents

Essays

Martin Luther and the Art of the Gloss

by H. G. Haile

Photo-Graphy-Synthesis

by David L. Lavery

The Palgrave Version

by Christopher Clausen

The United Nations: Option for Survival

by Pauline Frederick

Ut Coitus Lectio: The Poet as Lovemaker

by Steven G. Kellman

Washington Allston and the Aesthetics of Parody

by Brian J. Wolf

Words and Images: Harmony and Dissonance

by Irving Massey
Fiction

A Journal for the New Tear (Resolutions, Memos, Whimsies)

by Natalie L. M. Petesch

Neither the Question nor the Answer

by Connie Culpepper
Poetry

A Good Life

by Robert Watson

A River Running By & Back in the States

by Louis Simpson

Babies

by Barry Spacks

Beginning at the Beginning

by William Hunt

Beyond Belief

by Tom Luhrmann

Compline

by Debora Greger

Green Tomatoes & Sing and Dance

by Dennis Trudell

Hotel Fire: New Orleans

by Paul Ruffin

If You Have an Enemy

by John Skoyles

In the Middle of a Plowed Field, A Rock

by Lynda Yates

On Stage

by George Seferis, Edmund Keeley, & Philip Sherrard

Protective Colors

by William Logan

Safe in Shade

by Robert Penn Warren

Volo Ut Sis

by Jarold Ramsey
Reviews

Deconstruction as Dogma, or, “Come Back to the Raft Ag’in, Strether Honey!” (on Deconstruction and Criticism by Harold Bloom, Paul de Man, Jacques Derrida, Geoffrey Hartman, J. Hillis Miller)

by Gerald Graff

Missingeria and Literary Health (on The Executioner’s Song by Norman Mailer; White House Years by Henry Kissinger; Letters by John Barth; It Looked Like For Ever by Mark Harris; Tethered by David Martin; Days by Mary Robison; & The Ghost Writer by Philip Roth)

by Richard Stern

on Christopher Isherwood: A Critical Biography by Brian Finney; & Isherwood: A Biography by Jonathan Fryer

by Stephen Corey

on Defoe and Fictional Time by Paul K. Alkon; & The World of Defoe by Peter Earle

by Paula R. Backscheider

on The Dream of the Golden Mountains: Remembering the 1930s by Malcolm Cowley

by Gay Wilson Allen

Resemblances and Transformations (on Succession by Mary Swander; Rising and Falling by William Matthews; Twelve Moons by Mary Oliver; The Cry of Oliver Hardy by Michael Heffernan; Sunday by Thomas Lux; Notes from the Castle by Howard Moss; & As We Know by John Ashbury)

by Peter Stitt

Seeing Laughter Steadily and Whole (on Comedy High & Low: An Introduction to the Experience of Comedy by Maurice Charney; & The Last Laugh: Form and Affirmation in the Contemporary American Comic Novel by Ronald Wallace)

by Sanford Pinsker

Some Manhattan in New England, Some Enchantment in Ohio (on The Best American Short Stories 1979 by Joyce Carol Oates, Shannon Ravenel; Rope Dances by David Porush; The Drum Concerto by Emily Katharine Harris; Da Vinci’s Bicycle by Guy Davenport; Tales from the Blue Stacks by Robert Bernen; Childhood and Other Neighborhoods by Stuart Dybek; Tales of the Ohio Land by Jack Matthews; & “Wilderness Plots” by Scott Sanders)

by William F. Van Wert

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Summer 80

Summer 1980

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