Fall 1981
Table of Contents
Special Feature
Coyote Goes Upriver: A Cycle for Story Theater and Mime
excerpts from Diné Bahane: The Navajo Creation Story
Essays
American Theater Watch, 1980–1981
From Performance to Print: Preface to a Native American Text
Making the Most of a Mess
The Heartless Darkness of “Apocalypse Now”
The Tenth Symphony
Translation: Fun or Folly?
Poetry
Along the Avenue of Dead Gestures
Dance for the Sun
Dust Light, Leaves
Graffiti
Happy Ending
In the Garden
Landfall
Lesson
Mountain Soprano
Our Tree of Opposites
The Hill Has Something to Say
The Night: Ensenada
The Okra Flower
The Rapture is Coming
The Universe Is Too Big to Love
This Poem is for Margaret
Watch Them Die
Art
[Notes and Sketches on the Navajos]
Reviews
on Madness in Literature by Lillian Feder
on The Hunt by John G. Mitchell
on Three Men in a Boat by Jerome K. Jerome, David A. Jasen; Brewster’s Millions by George Barr McCutcheon, David A. Jasen; & The Eighteen-Carat Kid and Other Stories by P. G. Wodehouse, David A. Jasen
on The Creation of Nikolai Gogol by Donald Fanger
Seeing Through Words, Seeing Through Words, Seeing Words Through, Seeing Words (as) Through (on American Hieroglyphics: The Symbol of The Egyptian Hieroglyphics in The American Renaissance by John T. Irwin)
The National Poetry Series: 1980 and 1981 (on Leaving Taos by Robert Peterson; Gumbo by George Barlow; In Winter by Michael Ryan; The Dollmaker’s Ghost by Larry Levis; & So This Is The Map by Reg Saner)
Related Products
Past Issues
