Spring 2000

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Spring 2000

Table of Contents

Essays

Idiot Savant: Henry Ford as Proto-Postmodern Man

Increase

On the Killing Fields

The Sound of a Meadowlark

Fiction

Ania

The Mappist

Poetry

At Horticulture Park

Beatitude

Burning the Letters

Glenfillan Sheepdog Trials

History

It Could Be Anything

Naked Poetry

Objects in This Mirror Are Closer Than They Appear

Sea-Wrack Religion

Squatting & Snake Fence

Sunday Sublime

Table Prayer

The Hemlock Tree

Workers for the Lord

Youthful Journals

Art

Nights, Lights, Ruins

Reviews

It’s Only Rock-and-Roll (on Selfwolf by Mark Halliday and Road Atlas: Prose and Other Poems by Campbell McGrath)

on Dark Waves and Light Matter by Albert Goldbarth

on Ecology of a Cracker Childhood by Janisse Ray

on The Girls’ Guide to Hunting and Fishing by Melissa Bank

on The Material Ghost: Films and Their Medium by Gilberto Perez

on The Playwright’s Voice: American Dramatists on Memory, Writing and the Politics of Culture by David Savran

on The Wedding Jester by Steve Stern

on Tupperware: The Promise of Plastic in 1950s America by Alison J. Clarke

Position, Connection, Conviction (on Reluctantly: Autobiographical Essays by Hayden Carruth; What the Twilight Says: Essays by Derek Walcott; Twenty Questions by J. D. McClatchy; Stealing Glimpses: Of Poetry, Poets, and Things in Between by Molly McQuade; and After-Images: Autobiographical Sketches by W. D. Snodgrass)

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