Spring 2000
Table of Contents
Essays
Idiot Savant: Henry Ford as Proto-Postmodern Man
Increase
On the Killing Fields
The Sound of a Meadowlark
Fiction
Ania
The Mappist
Poetry
At Horticulture Park
Beatitude
Burning the Letters
Glenfillan Sheepdog Trials
History
It Could Be Anything
Naked Poetry
Objects in This Mirror Are Closer Than They Appear
Sea-Wrack Religion
Squatting & Snake Fence
Sunday Sublime
Table Prayer
The Hemlock Tree
Workers for the Lord
Youthful Journals
Art
Nights, Lights, Ruins
Reviews
It’s Only Rock-and-Roll (on Selfwolf by Mark Halliday and Road Atlas: Prose and Other Poems by Campbell McGrath)
on Dark Waves and Light Matter by Albert Goldbarth
on Ecology of a Cracker Childhood by Janisse Ray
on The Girls’ Guide to Hunting and Fishing by Melissa Bank
on The Material Ghost: Films and Their Medium by Gilberto Perez
on The Playwright’s Voice: American Dramatists on Memory, Writing and the Politics of Culture by David Savran
on The Wedding Jester by Steve Stern
on Tupperware: The Promise of Plastic in 1950s America by Alison J. Clarke
Position, Connection, Conviction (on Reluctantly: Autobiographical Essays by Hayden Carruth; What the Twilight Says: Essays by Derek Walcott; Twenty Questions by J. D. McClatchy; Stealing Glimpses: Of Poetry, Poets, and Things in Between by Molly McQuade; and After-Images: Autobiographical Sketches by W. D. Snodgrass)
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