Fall 2019

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Fall 2019

Table of Contents

Essays

A Public Loss Anyway

By Andrew Menard

Back Roads and Ditch-Wise: Against Ben Lerner’s The Hatred of Poetry

By Molly Spencer

My Father, the Atomic Bomb

By Judith Dancoff

On the Farm

By Anne Wright

Psyche’s Stolen Pleasure: Women Who Like to Look, Objectification, and Animism of the Inanimate

By Genese Grill

The Great Silence

By Marianne Boruch

The Lonely Ruralist

By Janisse Ray

To Our Readers: A Postscript

By Stephen Corey

Understory and Overstory: A Retrospective

By Janisse Ray

What the Music Said

By Martha G. Wiseman

Fiction

Gracie and Devere

By Jack Driscoll

The Name Means Thunder

By Morgan Talty

Poetry

Among the Losses & Poetry Class, Ash Wednesday

By Anya Silver

Callie Barr’s Black Bottom

By Malcolm Tariq

Dickinson in Aleppo

By Reginald Gibbons

History

By Brian Swann

In the Time of the Living

By Richard Jackson

Negative Capability

By Margaret Gibson

Ode on Your Flaw; Chronic Transience; Early Sightings; & Sarcophagus Poetica

By J. Allyn Rosser

The Trial

By William Wenthe

Translating the Word for Home

By Eavan Boland

Underwater Falsetto

By Tiana Nobile

Young Woman in Blue Reading a Letter

By William Virgil Davis

Reviews

My Own City (on Donna Masini’s 4:30 Movie; Jennifer Franklin’s No Small Gift; and Lee Briccetti’s Blue Guide)

By Jonathan Blunk

on All the Wild Hungers: A Season of Cooking and Cancer by Karen Babine

By Vivian Wagner

on Monsters I Have Been by Kenji C. Liu

By Muriel Leung

on Where Reasons End by Yiyun Li

By Nan Z. Da

on Wild Milk by Sabrina Orah Mark

By Lauren Russell

The Necessary Impossibilities of Poetry (on Terrance Hayes’s American Sonnets for My Past and Future Assassin; Dorothy Barresi’s What We Did While We Made More Guns; Analicia Sotelo’s Virgin; and Kevin Prufer’s How He Loved Them)

By Kevin Clark

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