Fall 2019

Name: Fall 2019
SKU: 39832
Price: 15.00 USD
Availability: InStock

Category: Issues

Fall 2019

Table of Contents

Special Feature

Essays

Fiction

Poetry

Art

Reviews

Interview

By Hannah Baker Saltmarsh

By Bradley Bazzle

By Selamawit D. Terrefe

By Stephanie Burt

By Sandra Simonds

By Julie R. Enszer

By Radiclani Clytus

Evidence

On My Therapist, Late in This Life

Picture the Dream: The Story of the Civil Rights Movement through Childr...

College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai)

The Lonely Ruralist

Influenza 1918

Achilles; On Being Thrown from a Horse at 49; & Verge

Jerry’s Dirt (essay)

Collaborations, Water and Light (with an interview by Douglas Carlson)

Picture the Dream: The Story of the Civil Rights Movement through Children’s Books...

Kaleidoscopic Consciousness

“Be Unpredictable, Be Real, Be Interesting, Tell a Good Story!” (with an interview...

A Lower Deep

“What I Find Funny Is Too Dark to Say Out Loud” (with an interview by C. J. Bartunek)

on Suitor by Joshua Rivkin

on Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture by...

on Afropessimism by Frank B. Wilderson III

Imaginary Maps (on Apsara Engine and Spellbound: A Graphic Memoir by Bishakh Som)

on Defacing the Monument by Susan Briante

on My Autobiography of Carson McCullers by Jenn Shapland

on Walking Backwards: Poems 1966–2016 by John Koethe

Phenomenal Listening: The Art of Jason Moran

Evidence

On My Therapist, Late in This Life

Picture the Dream: The Story of the Civil Rights Movement through Childr...

College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai)

The Lonely Ruralist

Influenza 1918

Achilles; On Being Thrown from a Horse at 49; & Verge

Jerry’s Dirt (essay)

Collaborations, Water and Light (with an interview by Douglas Carlson)

Picture the Dream: The Story of the Civil Rights Movement through Children’s Books...

Kaleidoscopic Consciousness

“Be Unpredictable, Be Real, Be Interesting, Tell a Good Story!” (with an interview...

A Lower Deep

“What I Find Funny Is Too Dark to Say Out Loud” (with an interview by C. J. Bartunek)

on Suitor by Joshua Rivkin

on Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture by...

on Afropessimism by Frank B. Wilderson III

Imaginary Maps (on Apsara Engine and Spellbound: A Graphic Memoir by Bishakh Som)

on Defacing the Monument by Susan Briante

on My Autobiography of Carson McCullers by Jenn Shapland

on Walking Backwards: Poems 1966–2016 by John Koethe

Phenomenal Listening: The Art of Jason Moran

Fall 2019

Fall 2019

Special Feature

Reclamations (fiction)

Essays

A Public Loss Anyway

Back Roads and Ditch-Wise: Against Ben Lerner’s The Hatred of Poetry

On the Farm

Psyche’s Stolen Pleasure: Women Who Like to Look, Objectification, and Animism of the Inanimate

The Great Silence

To Our Readers: A Postscript

Understory and Overstory: A Retrospective

What the Music Said

Fiction

Gracie and Devere

Poetry

Dickinson in Aleppo

History

In the Time of the Living

Negative Capability

Ode on Your Flaw; Chronic Transience; Early Sightings; & Sarcophagus Poetica

The Trial

Translating the Word for Home

Underwater Falsetto

Young Woman in Blue Reading a Letter

Art

Reviews

My Own City (on Donna Masini’s 4:30 Movie; Jennifer Franklin’s No Small Gift; and Lee Briccetti’s Blue Guide)

The Necessary Impossibilities of Poetry (on Terrance Hayes’s American Sonnets for My Past and Future Assassin; Dorothy Barresi’s What We Did While We Made More Guns; Analicia Sotelo’s Virgin; and Kevin Prufer’s How He Loved Them)

Interview

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