Winter 2001/Spring 2002

Name: Winter 2001/Spring 2002
SKU: 1973
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Category: Issues

Winter 2001/Spring 2002

Table of Contents

Essays

Art

By Hannah Baker Saltmarsh

By Bradley Bazzle

By Selamawit D. Terrefe

By Stephanie Burt

By Sandra Simonds

By Julie R. Enszer

By Kevin Clark

By Radiclani Clytus

Winter 2020

Evidence

On My Therapist, Late in This Life

Picture the Dream: The Story of the Civil Rights Movement through Childr...

College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai)

The Lonely Ruralist

Influenza 1918

Achilles; On Being Thrown from a Horse at 49; & Verge

Jerry’s Dirt (essay)

Collaborations, Water and Light (with an interview by Douglas Carlson)

Picture the Dream: The Story of the Civil Rights Movement through Children’s Books...

Kaleidoscopic Consciousness

“Be Unpredictable, Be Real, Be Interesting, Tell a Good Story!” (with an interview...

A Lower Deep

“What I Find Funny Is Too Dark to Say Out Loud” (with an interview by C. J. Bartunek)

on Suitor by Joshua Rivkin

on Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture by...

on Afropessimism by Frank B. Wilderson III

Imaginary Maps (on Apsara Engine and Spellbound: A Graphic Memoir by Bishakh Som)

on Defacing the Monument by Susan Briante

on My Autobiography of Carson McCullers by Jenn Shapland

on Walking Backwards: Poems 1966–2016 by John Koethe

Phenomenal Listening: The Art of Jason Moran

Winter 2020

Evidence

On My Therapist, Late in This Life

Picture the Dream: The Story of the Civil Rights Movement through Childr...

College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai)

The Lonely Ruralist

Influenza 1918

Achilles; On Being Thrown from a Horse at 49; & Verge

Jerry’s Dirt (essay)

Collaborations, Water and Light (with an interview by Douglas Carlson)

Picture the Dream: The Story of the Civil Rights Movement through Children’s Books...

Kaleidoscopic Consciousness

“Be Unpredictable, Be Real, Be Interesting, Tell a Good Story!” (with an interview...

A Lower Deep

“What I Find Funny Is Too Dark to Say Out Loud” (with an interview by C. J. Bartunek)

on Suitor by Joshua Rivkin

on Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture by...

on Afropessimism by Frank B. Wilderson III

Imaginary Maps (on Apsara Engine and Spellbound: A Graphic Memoir by Bishakh Som)

on Defacing the Monument by Susan Briante

on My Autobiography of Carson McCullers by Jenn Shapland

on Walking Backwards: Poems 1966–2016 by John Koethe

Phenomenal Listening: The Art of Jason Moran

Winter 2001/Spring 2002

Winter 2001/Spring 2002

Essays

A Divine Blindness

A Thousand Buddhas

Afterwards

Beliefs for Sale: 1900-1950

Bloodline in Ink

Dual

Hemingway’s Wound—And Its Consequences for American Literature

How to Die

How to Draw

John Gardner: Writer and Teacher

Levels and Opposites: Structure in Poetry

Looking Back at the First Story

Maintenance

Not-Knowing

Poetic Gold

Preacher

Reasons of the Body

Replacing Memory

Silent Dancing

Skunk Dreams

Taken by Haros: Death in a Cycladic Village

The Cult of the Adolescent: Commercial Indoctrination and the Collapse of Civic Virtue

The Desperate Mission of Stefan Lux

The Necessity of Misreading

The Orbiting Self: Reentry Problems of the Transcending Self, or Why It Is That Artists and Writers, Some Technologists, and Indeed Most People Have So Much Trouble Living in the Ordinary World

The Southern Writer and the Great Literary Secession

The Symbol of the Archaic

The Woman, The Place, The Poet

Up-and-Down Sun: Notes on the Sacred

Wonderlands

Art