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Winter 2020
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Features
Art
Reviews
Features
Fiction
Evidence
By
Kaitlyn Greenidge
Essays
On My Therapist, Late in This Life
By
Garrett Hongo
Art
Picture the Dream: The Story of the Civil Rights Movement through Childr...
Special Feature
College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai)
Essays
The Lonely Ruralist
By
Janisse Ray
Essays
Influenza 1918
By
Jane Brox
Poetry
Achilles; On Being Thrown from a Horse at 49; & Verge
By
A. E. Stallings
Special Feature
Jerry’s Dirt (essay)
By
Jacob Baynham
View All Features
Art
Collaborations, Water and Light (with an interview by Douglas Carlson)
By
Meghann Riepenhoff
Picture the Dream: The Story of the Civil Rights Movement through Children’s Books...
By
C. J. Bartunek
Kaleidoscopic Consciousness
By
Doron Langberg
“Be Unpredictable, Be Real, Be Interesting, Tell a Good Story!” (with an interview...
By
Eddie Arroyo
A Lower Deep
By
Michi Meko
“What I Find Funny Is Too Dark to Say Out Loud” (with an interview by C. J. Bartunek)
By
Dhruvi Acharya
View All Art
Reviews
on
Suitor
by Joshua Rivkin
By
Hannah Baker Saltmarsh
on
Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture
by...
By
Bradley Bazzle
on
Afropessimism
by Frank B. Wilderson III
By
Selamawit D. Terrefe
Imaginary Maps (on
Apsara Engine and Spellbound: A Graphic Memoir
by Bishakh Som)
By
Stephanie Burt
on
Defacing the Monument
by Susan Briante
By
Sandra Simonds
on
My Autobiography of Carson McCullers
by Jenn Shapland
By
Julie R. Enszer
on
Walking Backwards: Poems 1966–2016
by John Koethe
By
Kevin Clark
Phenomenal Listening: The Art of Jason Moran
By
Radiclani Clytus
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MENU
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GR2
Current Issue
Current Issue
Winter 2020
Explore Issue
Features
Art
Reviews
Features
Fiction
Evidence
By
Kaitlyn Greenidge
Essays
On My Therapist, Late in This Life
By
Garrett Hongo
Art
Picture the Dream: The Story of the Civil Rights Movement through Childr...
Special Feature
College (translated from the Hindi by Arvind Krishna Mehrotra and Sara Rai)
Essays
The Lonely Ruralist
By
Janisse Ray
Essays
Influenza 1918
By
Jane Brox
Poetry
Achilles; On Being Thrown from a Horse at 49; & Verge
By
A. E. Stallings
Special Feature
Jerry’s Dirt (essay)
By
Jacob Baynham
View All Features
Art
Collaborations, Water and Light (with an interview by Douglas Carlson)
By
Meghann Riepenhoff
Picture the Dream: The Story of the Civil Rights Movement through Children’s Books...
By
C. J. Bartunek
Kaleidoscopic Consciousness
By
Doron Langberg
“Be Unpredictable, Be Real, Be Interesting, Tell a Good Story!” (with an interview...
By
Eddie Arroyo
A Lower Deep
By
Michi Meko
“What I Find Funny Is Too Dark to Say Out Loud” (with an interview by C. J. Bartunek)
By
Dhruvi Acharya
View All Art
Reviews
on
Suitor
by Joshua Rivkin
By
Hannah Baker Saltmarsh
on
Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture
by...
By
Bradley Bazzle
on
Afropessimism
by Frank B. Wilderson III
By
Selamawit D. Terrefe
Imaginary Maps (on
Apsara Engine and Spellbound: A Graphic Memoir
by Bishakh Som)
By
Stephanie Burt
on
Defacing the Monument
by Susan Briante
By
Sandra Simonds
on
My Autobiography of Carson McCullers
by Jenn Shapland
By
Julie R. Enszer
on
Walking Backwards: Poems 1966–2016
by John Koethe
By
Kevin Clark
Phenomenal Listening: The Art of Jason Moran
By
Radiclani Clytus
View All Reviews
About
About
Masthead
History
Mission Statement
Contact
News
Events
Opportunities
Submit
Shop
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Winter 1979
Table of Contents
Essays
A Master Class: From the Correspondence of Caroline Gordon and Flannery O’Connor
By
Sally Fitzgerald
A Portrait of the Artist as Mother: Harriette Arnow and “The Dollmaker”
By
Glenda Hobbs
Eudora Welty and the City of Man
By
Elmo Howell
Flannery O’Connor and “The Business of the Purified Mind”
By
Barbara McKenzie
Gertrude Stein and the Problems of Autobiography
By
James E. Breslin
Looking Back at the First Story
By
Eudora Welty
The Quality of Mercy, or Mrs. Warren’s Profession
By
Gerald Weales
Fiction
A Country Girl
By
Mary Hood
Death of a Traveling Salesman
By
Eudora Welty
Fra Lippi and Me
By
Harriette Simpson Arnow
Glenda Hobbs
Poetry
from
Painting the House
By
Joan Joffe Hall
A Fugue
By
Ellen Bryant Voigt
Absence
By
Kathy Mangan
Back Country
By
Joyce Carol Oates
Chippewa Jack, the Mayor, and Jimmy McFee
By
Mary Oliver
Empty Glass
By
Kathryn Stripling Byer
Epilogue & Prologue
By
Linda Pastan
Graces
By
Debora Greger
Herbs in the Attic
By
Marilyn Nelson Waniek
Ice Fishing
By
Magdaline Quinlan
If Justice Moved
By
Bettie M. Sellers
In the Taxidermist’s Shop
By
Siv Cedering Fox
Letter to a Censor
By
Kelly Cherry
Mardi Gras Reverie
By
Katherine Soniat
Motherhood
By
Susan Ludvigson
Not Going Out Today
By
Ann Douglas
Nothing Happened
By
Betty Adcock
Shared Visions
By
Paula Rankin
Small Town
By
Rita Dove
The Dark Hinges
By
Chase Twichell
Trestle
By
Allison Funk
Art
Mattie Lou O’Kelley: American Folk Artist
By
Linda Ramke
Bin Ramke
Reviews
“It Really Happened” (on
The Diary of “Helena Morley.” “Neglected Books of the Twentieth Century”
series by Elizabeth Bishop)
By
Stephen Tapscott
on
A Christina Stead Reader
by Jean B. Read
By
Diane Cole
on
Silences
by Tillie Olsen
By
Iris Tillman Hill
on
The Culture of Narcissism: American Life in an Age of Diminishing Expectations
by Christopher Lasch
By
Frederick Ferré
on
The Love Child
by Eve Shelnutt
By
Melissa Fay Greene
on
Tragic Realism and Modern Society: Studies in the Sociology of the Modern Novel
by John Orr
By
Geoffrey Green
The History of an Illusion (on
The History of Sexuality; Volume I: An Introduction
by Michel Foucault, Robert Hurley; &
A Lover’s Discourse: Fragments
by Roland Barthes, Richard Howard)
By
Richard Vine
The Teller as the Tale (on
Sleepless Nights
by Elizabeth Hardwick; &
Three: An Unfinished Woman, Pentimento, Scoundrel Time
by Lillian Hellman)
By
Brina Caplan
Triptych of Excellence (on
The Sitwells: A Family’s Biography
by John Pearson)
By
Christine Lahey-Dolega
Violence, Imagery, and Introspection (on
Killing Floor
by Ai;
The Five Stages of Grief
by Linda Pastan; &
Natural Histories
by Leslie Ullman)
By
Peter Stitt
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