Returns: Cherokee Diaspora and Art

By
Luzene Hill Brenda Mallory Kade L. Twist

on Wild Spectacle by Janisse Ray

By J.D. Ho

Georgia Review Books

Current Issue

Fall 2022

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The Georgia Review’s Fall 2022 issue is now available, with new writing from Irena Klepfisz, Myronn Hardy, Dujie Tahat, Kevin Moffett, and many more, as well as translated work by Kim Soom, Sónia Hernández, and Wendy Guerra. Our art pages feature a portfolio from the exhibition Returns: Cherokee Diaspora and Art with an essay by curator Ashley Holland.

 
EXPLORE THE ISSUE

Features

Pliny Redux

By Farah Abdessamad

Her Generous Body

By Doreen Baingana

Bar Null

By David Lloyd

To Sleep before Evening (from This Short Day of Frost and Sun)

By Samuel R. Delany

Portrait with Unknown Dimensions

By Tarik Dobbs

Starshine in “After Vermont, My Hipster Hunter’s Cap”

By Spring Ulmer

On “Code”

By Jennifer S. Cheng

from We Will Take Any Mother; Code; Cut; Every Verb Is a Lesson in Lon...

By April Freely

Art

Returns: Cherokee Diaspora and Art (with an introduction by Ashley Holland)

By Luzene Hill Brenda Mallory Kade L. Twist

Ambient Works

By Daisuke Yokota

Enveloped by Memory

By Mark Fleuridor

Gardens at the Margins

By Saba Taj

Monumental Achievements

By Yehimi Cambrón

Future Fossils (with an introduction by Taylor Bradley)

By Lan Tuazon

A Celebration of Life (with an interview by C. J. Bartunek)

By Derek Fordjour

4. selections from “The Exhibit of American Negroes” for the 1900 Paris Exposition

By W. E. B. Du Bois

Psittaciformes Forms, Self-Eating Forms

By Yaron Michael Hakim

Reviews

on Dominant Genes by SJ Sindu

By Nikki Ummel

on Valentine Ackland: A Transgressive Life by Frances Bingham

By Erica Goss

on Wild Spectacle by Janisse Ray

By J.D. Ho

on So Forth by Rosanna Warren

By Charles Altieri

Du Bois for the Moment, Du Bois for the Millennium (on W. E. B....

By Ian Litwin

on On Freedom: Four Songs of Care and Constraint by Maggie Nelson

By Sandra Simonds

on Asked What Has Changed by Ed Roberson

By Nick Joseph

on Aerial Concave without Cloud by Sueyeun Juliette Lee

By Angie Sijun Lou

Sounding and Resounding: The Immersive Poetry of Atsuro Riley (on Atsuro Riley’s Romey’s Order...

By Emily Pérez

Policing the Procedural (on Law & Order: Special Victims Unit)

By Sarah Rebecca Kessler

on Peach State by Adrienne Su

By Luisa A. Igloria

on Home in Florida: Latinx Writers and the Literature of Uprootedness, edited by Anjanette...

By Diego Báez

Reviews

on Dominant Genes by SJ Sindu

By Nikki Ummel

on Valentine Ackland: A Transgressive Life by Frances Bingham

By Erica Goss

on Wild Spectacle by Janisse Ray

By J.D. Ho

on So Forth by Rosanna Warren

By Charles Altieri

Du Bois for the Moment, Du Bois for the Millennium (on...

By Ian Litwin

on On Freedom: Four Songs of Care and Constraint by Maggie...

By Sandra Simonds

on Asked What Has Changed by Ed Roberson

By Nick Joseph

on Aerial Concave without Cloud by Sueyeun Juliette Lee

By Angie Sijun Lou

Sounding and Resounding: The Immersive Poetry of Atsuro Riley (on Atsuro...

By Emily Pérez

Policing the Procedural (on Law & Order: Special Victims Unit)

By Sarah Rebecca Kessler

on Peach State by Adrienne Su

By Luisa A. Igloria

on Home in Florida: Latinx Writers and the Literature of Uprootedness,...

By Diego Báez

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Fall 2021

Summer 2021

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Winter 2020

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