The Georgia Review

Ambient Works

By Daisuke Yokota

Policing the Procedural (on Law & Order: Special Victims Unit)

By Sarah Rebecca Kessler

Georgia Review Books

Policing the Procedural (on Law & Order: Special Victims Unit)

By Sarah Rebecca Kessler

The Georgia Review’s Summer 2022 issue is now available, with new writing from Samuel R. Delany, Alejandro Varela, Pamela Mordecai, Marylyn Tan, Bennett Sims, and many more, as well as a new translation of a poem by Bertolt Brecht, a reconsideration of Law & Order: Special Victims Unit, a tribute to the late poet April Freely, and a portfolio of experimental photography by Daisuke Yokota.

EXPLORE THE ISSUE

Poetry

Portrait with Unknown Dimensions

By Tarik Dobbs

Special Feature 2

Starshine in “After Vermont, My Hipster Hunter’s Cap”

By Spring Ulmer

Special Feature 2

On “Code”

By Jennifer S. Cheng

Special Feature 2

from We Will Take Any Mother; Code; Cut; Every Verb Is a Lesson in Lon...

By April Freely

Special Feature

Peterloo

By Alejandro Varela

Special Feature

What We Bring Home: Little Petra

By Lisa Tan

Fiction

Dennis, Walter, Ryan, Will, Buddy, Henry, Trevor (translated from the Spanish...

By Anna Kazumi Stahl

Essays

Song and Dance

By Thao Nguyen

Features

Poetry

Portrait with Unknown Dimensions

By Tarik Dobbs

Special Feature 2

Starshine in “After Vermont, My Hipster Hunter’s Cap”

By Spring Ulmer

Special Feature 2

On “Code”

By Jennifer S. Cheng

Special Feature 2

from We Will Take Any Mother; Code; Cut; Every Verb Is a Lesson in Lon...

By April Freely

Special Feature

Peterloo

By Alejandro Varela

Special Feature

What We Bring Home: Little Petra

By Lisa Tan

Fiction

Dennis, Walter, Ryan, Will, Buddy, Henry, Trevor (translated from the Spanish...

By Anna Kazumi Stahl

Essays

Song and Dance

By Thao Nguyen

Art

Ambient Works

By Daisuke Yokota

Enveloped by Memory

By Mark Fleuridor

Gardens at the Margins

By Saba Taj

Monumental Achievements

By Yehimi Cambrón

Future Fossils (with an introduction by Taylor Bradley)

By Lan Tuazon

A Celebration of Life (with an interview by C. J. Bartunek)

By Derek Fordjour

4. selections from “The Exhibit of American Negroes” for the 1900 Paris Exposition

By W. E. B. Du Bois

Psittaciformes Forms, Self-Eating Forms

By Yaron Michael Hakim

Collaborations, Water and Light (with an interview by Douglas Carlson)

By Meghann Riepenhoff

Reviews

on On Freedom: Four Songs of Care and Constraint by Maggie Nelson

By Sandra Simonds

on Asked What Has Changed by Ed Roberson

By Nick Joseph

on Aerial Concave without Cloud by Sueyeun Juliette Lee

By Angie Sijun Lou

Sounding and Resounding: The Immersive Poetry of Atsuro Riley (on Atsuro Riley’s Romey’s Order...

By Emily Pérez

Policing the Procedural (on Law & Order: Special Victims Unit)

By Sarah Rebecca Kessler

on Peach State by Adrienne Su

By Luisa A. Igloria

on Home in Florida: Latinx Writers and the Literature of Uprootedness, edited by Anjanette...

By Diego Báez

on Bitter in the Mouth by Monique Truong

By Joanmarie Bañez

Mississippi Masala Revisited

By Hasanthika Sirisena

on Transcendent Kingdom by Yaa Gyasi

By Samuel Okoli

on Death Stranding, created by Hideo Kojima

By Maria Bose

on Virga by Shin Yu Pai

By Angie Sijun Lou

Reviews

on On Freedom: Four Songs of Care and Constraint by Maggie...

By Sandra Simonds

on Asked What Has Changed by Ed Roberson

By Nick Joseph

on Aerial Concave without Cloud by Sueyeun Juliette Lee

By Angie Sijun Lou

Sounding and Resounding: The Immersive Poetry of Atsuro Riley (on Atsuro...

By Emily Pérez

Policing the Procedural (on Law & Order: Special Victims Unit)

By Sarah Rebecca Kessler

on Peach State by Adrienne Su

By Luisa A. Igloria

on Home in Florida: Latinx Writers and the Literature of Uprootedness,...

By Diego Báez

on Bitter in the Mouth by Monique Truong

By Joanmarie Bañez

Mississippi Masala Revisited

By Hasanthika Sirisena

on Transcendent Kingdom by Yaa Gyasi

By Samuel Okoli

on Death Stranding, created by Hideo Kojima

By Maria Bose

on Virga by Shin Yu Pai

By Angie Sijun Lou

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