William Shaw

Both of Alison Rumfitt’s novels open with a content warning. As well as flagging potentially distressing material, these warnings function as upfront statements of Aboutness. “Tell Me I’m Worthless is […]

Over the last twenty years, literary fiction has taken a fantastic turn. Jeanette Winterson is reanimating Mary Shelley, Ian McEwan and Kazuo Ishiguro are writing about robots, and everyone, it […]