Iodine; At the Pripyat Hospital; & My Hematologist Listens to My Love Songs

My Hematologist Listens to My Love Songs

 

As he daintily places the stethoscope on my skin.

First the heart, my left bundle branch block(ed) heart

where no electricity has seen the light of day.

His breath is fig-marmalade sweet. His eyes

show where love hurt him bad. There’s great sadness

in the way he holds the metal under my double D

man breasts. He is lost to the rhythms of my soon

to be defibrillated heart. He tells me I will not die

from this, but that I should try and get more exercise.

 

Go out for short walks, get up often, and flex my body

so that my legs won’t atrophy. I love this man like

I have loved all of my doctors, male or female. They

know I am not human, they can feel it but don’t say it.

And I appreciate the confidence by which they pretend

that I am already dead in their hands, a familiar ghost

they’ve come to depend on, as if I often ravage their ears

with my own stories of excess or how the first responders

at Chernobyl rushed in with all their power only to become

 

fireflies in the night, flashing their nuptial invitations

in the dark of fields. The human body feels terror first

in the hair follicles, or at least that’s what I feel when I look

in the mirror and catch glimpses of my sixty-year-old self.

How we got here, I do not know, but I can tell you it’s been

a wild ride. First in the dirt of Havana, then later in the cold

of Madrid, and now in the humidity of North Florida, where

the birds are falling dead from the skies. I can tell he is done.

He tells me I won’t be dying today, and I kiss him on his lips.

 

Virgil Suárez was born in Cuba. He is the author of a multitude of books, most recently Amerikan Chernobyl (2023) and The Painted Bunting’s Last Molt (University of Pittsburgh Press, 2020). He lives in Florida.