Winter 2009
Table of Contents
Special Feature
Goldbarthiana (four photographs)
GPS: On the Essays of Albert Goldbarth
Music From (an essay) and 215 N. Fountain; “. . . he could look up and see the wind, made physical by the sand it carried”; Perception Poem; The Pulses; Emma (Mrs. Charles) Darwin; The Serious Business; Struck Together; Miles; Our Heroine Ellen, and Three Pals; & Wrigley’s Gum (poems)
These Quiet Poems
Typewriter and Looney-Tune Lunchbox in the Two Hands of God: Albert Goldbarth, Always Armed and Ready
Why All This Music? (a version of an interview)
Essays
In Rehearsal
Fiction
Four Kinds of Forgetting
Tableau Vivant
Poetry
Ars Poetica on Lava
Bald Sentiment
Father to Son
What I Like about God & What I Like about the Devil
Art
Genius Loci
Reviews
Hard Books (on Jack Gilbert’s The Dance Most of All; April Bernard’s Romanticism; W. S. Merwin’s The Shadow of Sirius; Jim Harrison’s In Search of Small Gods; Nina Cassian’s Continuum; D. Nurkse’s The Border Kingdom: Poems; and Lucia Perillo’s Inseminating the Elephant)
Like Tap-Dancing about Architecture (on Reading Dance: A Gathering of Memoirs, Reportage, Criticism, Profiles, Interviews, and Some Uncategorizable Extras, edited by Robert Gottlieb; Nancy Goldner’s Balanchine Variations; Akim Volynsky’s Ballet’s Magic Kingdom: Selected Writings on Dance in Russia, 1911–1925, translated and edited by Stanley J. Rabinowitz; and Jane Goldberg’s Shoot Me While I’m Happy: Memories from the Tap Goddess of the Lower East Side)
on Temper by Beth Bachmann
on The Boatloads by Dan Albergotti
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